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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “How To Serve Mass” (1651)

Jeff Ostrowski · November 29, 2017

3770 Sperabo ERY LITTLE has escaped our perusal when it comes to research materials for the St. Jean de Brébeuf Hymnal. We even look through ancient Roman Catholic Primers, which (believe it or not) translate into English the Breviary hymns, and some of these books date back more than 400 years—not long after the time of King Henry VIII. As Eamon Duffy has pointed out, however, such Primers contain much more than English hymn translations.

The following was taken from a 1651AD Primer:

    * *  PDF Download • “How to serve Mass” (1651AD)

The Brébeuf hymnal does have beautiful hymn texts and tunes by modern composers and Catholics poets—but we also include some excellent ancient hymns. I’ve never seen any book that comes close to what we’re putting together, and I find myself in awe of the knowledge displayed by the scholars serving on our hymnal committee. And I end up feeling pretty inadequate!

A few excerpts:

When you see the Priest spread his Hands over the Chalice,
light your Wax-Candle; kneel, and with your other Hand
hold up the Vestment, till the Elevation be past;
that done, kiss the Vestment, put out the Candle;
and so often as you pass by the Blessed Sacrament,
do Reverence on your Knees.

[ … ]

The Clerk kneeling must give the Pax to the Priest to kiss,
and answer, “P. Pax tecum. C. Et cum spiritu tuo.”
Pausing a little, arise, make Adoration to the Sacrament,
give the Pax to those present, observe Order of calling, and Years:
Which done, be ready to give Wine and Water to the Priest;
and if there be Communicants, provide Towel and Taper,
and say Confiteor: After they have received the Host,
give them Wine, remove the Book to the Left Hand
of the Altar, take away the Towel, depart to your former place.

[ … ]

So put out the Candles, and look they spoil not
the Altar-Clothes, and lay up all handsomely.
If you have leisure, meditate a while, kiss the Altar, saying,
“I will adore in the Place where his Feet stood,” and depart.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski
    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

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