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Views from the Choir Loft

EF Divine Office Resource • Daily Recordings of Lauds

Guest Author · February 28, 2017

338 Jonathan Kadar Kallen MAGINE WAKING UP one morning and being able to listen to an mp3 of the day’s Lauds while you prepare breakfast or get ready for work. Or perhaps today you have time to spare, and can follow along with a handy translation from DivinumOfficium.com, or the chant notation from the PDF of the 1949 Antiphonale Romanum. Maybe it’s even your responsibility to get next Tuesday’s recording done and posted in time, like you signed up for. Sound unrealistic?

    * *  Dominus Regnavit Blog

You might be surprised. Since November 27th, 2016, the Dominus regnavit blog has indeed been posting daily recordings of sung Lauds, according to the liturgical books in effect in 1962. Not having a monastery on hand (and anyhow, using the Roman secular form of the office), this project is setup in such a way that everyone is encouraged to help out with providing the necessary recordings. And the great thing is, because the whole site is based on free resources, keeping the project going is quite as simple as making sure that someone will record and post the next mp3. (It could be you!)

Be that as it may, whether you incline to listen to a day’s Lauds, poke around the explanatory materials, or consider contributing a recording, I hope you may find this new blog project a useful contribution to the many great chant resources already available. Do stop by sometime!

I would like to append, as something of a footnote to the picture which accompanies this article, a passage quoted in Britt’s The Hymns of the Breviary and Missal (1922):

“Cock-crowing had for the early Christians a mystical significance. It said ‘The night is far spent, and the day is at hand.’ And thus the cock became, in the Middle Ages, the standing emblem of the preachers of God’s word. The old heathen notion that the lion could not bear the sight of the cock, easily adapted itself to this new symbolism. Satan, the roaring lion (I Peter 5, 8) fled away terrified, at the faithful preaching of God’s word. Nor did it pass unnoticed, that this bird, clapping its wings upon its sides, first rouses itself, before it seeks to rouse others.”

Thus, for example, it is still sung as part of the hymn for Sunday Lauds in the fall and winter months, “Gallo canente spes redit. / At the crowing of the cock, hope returns.”

…which is a cheering thought.


We hope you enjoyed this guest article by Jonathan Kadar-Kallen.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“The pope regrets that this trade in African slaves, that he believed having ceased, is still exercised in some regions and even more cruel way. He begs and begs the King of Portugal that it implement all its authority and wisdom to extirpate this unholy and abominable shame.”

— ‘Pope Pius VII, writing to the King of Portugal’

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