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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Booklet for Congregation

Jeff Ostrowski · April 10, 2017

HAT WE REFER TO as “progress” is not always true progress. For example, the creation of television—where producers supply all the sights and sounds—has led to a society incapable of listening carefully. We no longer appreciate beautiful language or powerful sermons, and the fact that we don’t close our eyes and listen has harmed our imaginations. How sad we no longer make believe!

Many churches are installing “movie screens” into church, for people to follow the liturgy. This will fail, just as the “YouTube news” effort failed. People like to read (or skim) at their own pace, and that’s why missals and booklets are so wonderful for prayer.

Here’s a page from a booklet I produced ten years ago, for my wedding:

263 Latin Booklets


I think you’ll agree the booklet I created for last year’s Sacred Music Symposium is more professional, although far from perfect:

    * *  PDF Download • 2016 SYMPOSIUM BOOKLET (47 pages)

The wedding booklet I mentioned contained sketches of the Mass expertly drawn by my mother. Getting the Solemn Pontifical Mass just right required research:

260 Mother Sketch


Each person was sketched “true to life.” For example, the Deacon has a tonsure and hood, because he’s Franciscan. My father and uncle served as Acolytes, so one Acolyte (shown on the right) was drawn with a beard because my uncle has a beard in real life, as this photograph from the 2007 wedding shows. 1

I hope to improve when it comes to making Mass booklets, because I believe this is what Vatican II wanted: helping Catholics enter more deeply into the sacrifice of the Mass. May I share with you a secret? The best way to make booklets is to just start making them. With each booklet you create, you’ll get better and better.

P.S.

I scanned into PDF seven sketches I was able to locate.



NOTES FROM THIS ARTICLE:

1   Many have asked why I always wear the Filipino “Barong Tagalog” when I conduct. I do this because I was so impressed seeing all the members of my wife’s family dressed in the Barong. Here’s my wife’s brother at the wedding: very impressive, no?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dom Pothier • Photo from 1904
    Dom Paul Cagin, in a 1904 publication (L’oeuvre de Solesmes dans la restauration du chant grégorien) made sure to include a beautiful image of Dom Pothier, the legendary abbot of St-Wandrille. Also shown is a very young Dom André Mocquereau. Auguste Pécoul—considered the spiritual “son” of Abbat Prosper Guéranger of Solesmes—wrote as follows on 24 June 1901: “To forestall any confusion, let us remember that there is just one Gregorian notation—that restored, according to the ancient manuscripts, by the eminent Abbot of Saint-Wandrille, Dom Pothier.” ✠
    —Jeff Ostrowski
    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski

Quick Thoughts

    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“We went to the early Mass to receive Communion because there was no distribution of Communion at the High Mass. After Mass was the breakfast, which was always of better quality than on ordinary days. Then after the breakfast we all returned to church for the Solemn Mass.”

— Dom Ermin Vitry, OSB

Recent Posts

  • Dom Pothier • Photo from 1904
  • PDF Chart • “Plainsong Rhythm”
  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”

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