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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

A Serious Question About Vatican II

Jeff Ostrowski · September 9, 2016

132 Archbishop of Utrecht CAPPA MAGNA ANY AUTHORS HAVE DISCUSSED the liturgical reforms following Vatican II. As Cardinal Ratzinger noted many years ago, the Council did not reform the liturgy. Rather, the Council said the liturgy should be revised:

“Elements which, with the passage of time…were added with little advantage are now to be discarded.”

If our Lord gives me the strength, someday I’d like to assemble—with the help of our readers—a succinct list that gives reforms done according to Sacrosanctum Concilium as well as reforms contrary to it. Such a list would also include key sources like Cardinal Antonelli, who served as secretary of the Consilium prior to Bugnini.

Many reforms were not in accordance with what the fathers of Vatican II specifically mandated. For example, most people associate Mass “facing the people” with Vatican II, but the Council never said a word about this practice. Most people think Vatican II abolished Latin, but in reality the Council declared that Latin must be preserved. Indeed, the fathers of Vatican II erupted with laughter when someone suggested there was a danger of the vernacular replacing Latin. Many other examples could be given. 1

Today I wish to discuss a different question. Vatican II spoke of “useless repetitions” in the liturgy, and said they should be examined and (possibly) eliminated. There is a real question about what the Council meant. Certainly it didn’t mean, for example, eliminating the 9-fold Kyrie, because in another place the same document says Gregorian chant should be given “first place” and even called traditional sacred music “the greatest treasure of the Church”—which probably annoyed architects and artists!

A liturgical change had taken place which went into effect on 1 January 1961. The final vote for Sacrosanctum Concilium happened on 4 December 1963. I’m told the actual document, however, had been “in production” for years—before the Council even began. Here’s an example of a rubric changed in 1961:

138 Tridentine Gospel Repeated


(Another example would be the Confíteor at Communion.)

In light of the fact that Sacrosanctum Concilium was being drafted at the very time these rubrical changes were happening, was that sufficient time for the bishops to “absorb” them and make informed decisions? Priests I’ve spoken to tend to like that 1961 change. 2

Perhaps a “useless repetitions” they had in mind would be the priest quietly reading certain prayers sung by the choir, such as the Introit—although I personally like that practice very much, and it’s difficult to see how “the good of the Church genuinely and certainly requires” that the priest stop doing that. It has no effect whatsoever on the congregation.



NOTES FROM THIS ARTICLE:

1   I have yet to encounter a serious scholar willing to defend the specific reforms of Vatican II. The very people involved in the reforms—who at the time were in favor of them, such as Fr. Louis Bouyer—have described the unbelievable, hasty, and shameful way many of these reforms were rammed through. Moreover, some bishops who were 100% in favor of the liturgical reforms, such as Bishop René H. Gracida, now believe the reformers went too far.

2   Indeed, this change had already been made in 1955 for the Holy Week services. Believe it or not, the priest had been required to read in a low voice all the Easter Vigil lessons as they were being sung. By the way, many people don’t realize that before the reforms of Pius XII, Easter actually began the day before Easter Sunday.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Liturgy of the Second Vatican Council, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

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  • Music List • (1st Sunday of Lent)

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