Views from the Choir Loft

New Sacred Music Magazine — “Altare Dei”

Fr. David Friel · October 27, 2016

UST RELEASED is the first edition of Altare Dei, a new magazine devoted to liturgy and sacred music. This new effort has been conceived by Maestro Aurelio Porfiri, known by our readers as a past contributor to these pages. Porfiri’s experience as a choir master, conductor, organist, and music theorist has prepared him well to serve as editor of this new publication.

There is not an overwhelming number of journals and magazines in the field of liturgy and sacred music. Still, what makes Altare Dei different and worth reading?

1. The magazine will include such varied content as articles, interviews, profiles, editorials, and announcements about major concerts, conferences, etc.

2. Each issue will also include a substantial insert of new music. This first issue includes 6 original pieces from 4 different composers, a total of 12 pages of music. Altare Dei would be worth purchasing for this feature alone.

3. Articles will appear in English, but they will include, by translation, contributions from beyond the Anglophone world.

4. The cost of the magazine is just €6 (roughly $7 USD). There are, moreover, no shipping fees, as the content is available for instant download.

Altare Dei will be distributed strictly in digital format through the website of Choralife music publisher. It is envisioned that Altare Dei will appear as a bi-monthly magazine. The first issue is available now for download.

I am pleased to have an article featured in this first October 2016 edition. Among the other contributors are many familiar names in the fields of sacred liturgy & music:

David Fagerberg (theology professor, University of Notre Dame); Peter Kwasniewski (professor & choirmaster, Wyoming Catholic College); Colin Mawby (composer & former conductor of Westminster Cathedral choir); Serafino Tognetti, CFD (monk & writer); Sr. Rosa Goglia (philosopher); Valentino Miserachs (composer & choirmaster, Santa Maria Maggiore); Mauro Visconti (composer); Rodolfo Papa (art historian & painter)

Download this inaugural edition here, and see the excellent content for yourself!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

Latin Liturgy Association

We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”

—Corpus Christi Watershed

“Music List” • 28th in Ordinary Time (Year C)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.

—Jeff Ostrowski

PDF Download • “Offertory” for this Sunday

This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on which source text is chosen and what each translator wants to emphasize. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.

—Jeff Ostrowski

New Bulletin Article • “12 October 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.

—Jeff Ostrowski

“American Catholic Hymnal” (1991)

The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).

—Jeff Ostrowski

“Canonic” • Ralph Vaughan Williams

Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.

—Jeff Ostrowski