About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he lives with his wife and two children.
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"Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life."
— Most Rev. Philip Egan, Bishop of Portsmouth

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“Ave Maris Stella” • Take II
published 5 March 2016 by Jeff Ostrowski

707 “Ave Maris Stella” (SATB) AVE YOU ever changed your mind about how fast a piece should go? Back in July, I made videos for Lhoumeau’s “Ave Maris Stella,” but later began to feel the tempo might be too slow. Moreover, I neglected to add Solfège and only recorded one verse (which I thought would be sufficient, but proved not to be).

Today, I produced a Solfège score, and—with help from a generous Soprano—created rehearsal videos in a faster tempo:

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

…but now the tempo almost feels too fast!

The “equal voices” version now has all the verses, and if you download the medieval versions you’ll understand why the plainsong version differs from Abbot Pothier’s Vatican Edition:

704 “Ave Maris Stella” (SATB)