About this blogger:
A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.
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“There are no hymns, in this sense, till the fourth century; they were not admitted to the Roman office till the twelfth. No Eastern rite to this day knows this kind of hymn. Indeed, in our Roman rite we still have the archaic offices of the last days of Holy Week and of the Easter octave, which—just because they are archaic—have no hymns.”
— Adrian Fortescue (25 March 1916)

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“Ave Maris Stella” • Take II
published 5 March 2016 by Jeff Ostrowski

707 “Ave Maris Stella” (SATB) AVE YOU ever changed your mind about how fast a piece should go? Back in July, I made videos for Lhoumeau’s “Ave Maris Stella,” but later began to feel the tempo might be too slow. Moreover, I neglected to add Solfège and only recorded one verse (which I thought would be sufficient, but proved not to be).

Today, I produced a Solfège score, and—with help from a generous Soprano—created rehearsal videos in a faster tempo:

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

…but now the tempo almost feels too fast!

The “equal voices” version now has all the verses, and if you download the medieval versions you’ll understand why the plainsong version differs from Abbot Pothier’s Vatican Edition:

704 “Ave Maris Stella” (SATB)