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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Something That Would Fix So Much … But Nobody Mentions It

Jeff Ostrowski · February 16, 2016

750 Queen of Hearts HEN I WAS GROWING UP, my brothers and I hated the villains in television shows, especially the annoying ones. But now I realize that people watching the shows are supposed to hate the villains; that’s why they say “the villain you love to hate.” I suspect this is why the topic of Watergate—a subject I know a lot about—endlessly fascinates historians, who continue producing documentaries about it. After all, Nixon was such a captivating villain! He was passionate, complicated, sneaky, intelligent, and had severe emotional issues. 1

When it comes to Church music, addressing one liturgical abuse would fix a whole bunch of problems instantly—but this abuse is not being promoted by a “bad guy” like Richard Nixon. The villain is…SILENCE.

That’s right: silence. Nobody cares. Nobody will listen. Nobody will lift a finger.

EVER SINCE VATICAN II, CHURCH LAW has required approval from the local bishop to replace the Mass texts—but this requirement has been ignored. Indeed, the Bishops’ Liturgy Committee confirmed on 20 November 2012 that we are not obligated to follow the GIRM. To get around this, they said each local bishop gives his “tacit approval” to texts he’s never seen. To make matters worse, the USCCB “approval” on the front page of some hymnals doesn’t apply to any of the music! But the answer is silence. Nobody cares. As a result, 90% of Church musicians are not taught what Church law requires.

Try sending the following letter to your bishop’s office. You won’t receive a response:

    * *  PDF Download • Sample Letter to your Ordinary

Many liturgical blogs claim they wish to improve the sacred liturgy. Yet, the crucial issue—this purported “tacit approval” which has been abused by 90% of parishes for 40+ years—is never mentioned. Here at Watershed, we will continue doing what we can (in our own small way) to promote authentic Church music. But it’s strange how few seem willing to talk about this most serious liturgical abuse.



NOTES FROM THIS ARTICLE:

1   The documentaries often show “good guys” denigrating Nixon, but neglect to mention that many of these men have been caught playing fast and loose with truth. After all, why complicate things? It’s easier to simply make Nixon the “bad guy” and the ones against him the “good guys.” Please note: I’m not excusing Nixon’s deplorable behavior. I’m merely pointing out that many of his enemies were pretty unsavory human beings, too.

Here’s something you might not know. The whole point of Watergate was proving that “nobody, no matter how high up in government, is above the law.” However, at least one highly placed man never got punished for his crimes. You see, the famous source that gave information to Bob Woodward about Watergate was referred to as “Deep Throat”—and people sought his true identity until 2005. It turns out “Deep Throat” was Mark Felt, of the FBI. The reason he waited so many years to reveal his identity was that his actions were highly illegal. Moreover, “spilling” information about cases to the press was against the FBI code of conduct, considered by his colleagues to be extremely dishonorable. Mark Felt went on trial later on for other crimes he committed—having nothing to do with Watergate—but Ronald Reagan pardoned him.

Someone amazingly came to Mark Felt’s defense, giving money to his legal defense fund and even testifying on his behalf in court. That man was Richard Milhous Nixon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012, Hymns Replacing Propers, Traditionis Custodes Vernacular, USCCB approval Last Updated: October 15, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF • “Music List” (Sunday, 28 December)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (Xmas Midnight Mass)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF • “Music List” (4th Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

Luys de Villafranca, master of the altar boys—who are to be distinguished from the choirboys (“seises”) because they study only plainchant whereas the choirboys live with the chapelmaster and study polyphony and counterpoint as well—is rewarded on October 17 with a salary increase of 6,000 maravedís and an extra 12 bushels of wheat.

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

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  • PDF • “Music List” (Sunday, 28 December)
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  • PDF • “Music List” (Xmas Midnight Mass)

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