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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Something That Would Fix So Much … But Nobody Mentions It

Jeff Ostrowski · February 16, 2016

750 Queen of Hearts HEN I WAS GROWING UP, my brothers and I hated the villains in television shows, especially the annoying ones. But now I realize that people watching the shows are supposed to hate the villains; that’s why they say “the villain you love to hate.” I suspect this is why the topic of Watergate—a subject I know a lot about—endlessly fascinates historians, who continue producing documentaries about it. After all, Nixon was such a captivating villain! He was passionate, complicated, sneaky, intelligent, and had severe emotional issues. 1

When it comes to Church music, addressing one liturgical abuse would fix a whole bunch of problems instantly—but this abuse is not being promoted by a “bad guy” like Richard Nixon. The villain is…SILENCE.

That’s right: silence. Nobody cares. Nobody will listen. Nobody will lift a finger.

EVER SINCE VATICAN II, CHURCH LAW has required approval from the local bishop to replace the Mass texts—but this requirement has been ignored. Indeed, the Bishops’ Liturgy Committee confirmed on 20 November 2012 that we are not obligated to follow the GIRM. To get around this, they said each local bishop gives his “tacit approval” to texts he’s never seen. To make matters worse, the USCCB “approval” on the front page of some hymnals doesn’t apply to any of the music! But the answer is silence. Nobody cares. As a result, 90% of Church musicians are not taught what Church law requires.

Try sending the following letter to your bishop’s office. You won’t receive a response:

    * *  PDF Download • Sample Letter to your Ordinary

Many liturgical blogs claim they wish to improve the sacred liturgy. Yet, the crucial issue—this purported “tacit approval” which has been abused by 90% of parishes for 40+ years—is never mentioned. Here at Watershed, we will continue doing what we can (in our own small way) to promote authentic Church music. But it’s strange how few seem willing to talk about this most serious liturgical abuse.



NOTES FROM THIS ARTICLE:

1   The documentaries often show “good guys” denigrating Nixon, but neglect to mention that many of these men have been caught playing fast and loose with truth. After all, why complicate things? It’s easier to simply make Nixon the “bad guy” and the ones against him the “good guys.” Please note: I’m not excusing Nixon’s deplorable behavior. I’m merely pointing out that many of his enemies were pretty unsavory human beings, too.

Here’s something you might not know. The whole point of Watergate was proving that “nobody, no matter how high up in government, is above the law.” However, at least one highly placed man never got punished for his crimes. You see, the famous source that gave information to Bob Woodward about Watergate was referred to as “Deep Throat”—and people sought his true identity until 2005. It turns out “Deep Throat” was Mark Felt, of the FBI. The reason he waited so many years to reveal his identity was that his actions were highly illegal. Moreover, “spilling” information about cases to the press was against the FBI code of conduct, considered by his colleagues to be extremely dishonorable. Mark Felt went on trial later on for other crimes he committed—having nothing to do with Watergate—but Ronald Reagan pardoned him.

Someone amazingly came to Mark Felt’s defense, giving money to his legal defense fund and even testifying on his behalf in court. That man was Richard Milhous Nixon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hilgartner 20 November 2012, Hymns Replacing Propers, Traditionis Custodes Vernacular, USCCB approval Last Updated: October 15, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “O Escam Viatorum” • (Holy Thursday)
    When I was very young, I erroneously believed the four psalms provided by the 1957 Liber Usualis—for Communion on Holy Thursday—were the “correct” music to sing on that first day of the TRIDUUM SACRUM. Those four psalms are: Psalm 22 (Dóminus regit me et nihil mihi déerit); Psalm 71 (Deus judícium tuum regi da); Psalm 103 (Bénedic ánima méa); and Psalm 150 (Laudáte Dóminum in sanctis ejus). It turns out I was way out in left field! While nothing forbids singing those psalms, many other options are equally valid. Our volunteer parish choir will sing this COMMUNION PIECE (joined by our burgeoning children’s choir) on Holy Thursday during Holy Communion. Needless to say, this will happen after the proper antiphon from the GRADUALE ROMANUM has been sung.
    —Jeff Ostrowski
    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“One must pray to God not only with theologically precise formulas, but also in a beautiful and dignified way. The Christian community must make an examination of conscience so that the beauty of music and song will return increasingly to the liturgy.”

— Pope Saint John Paul II (26 February 2003)

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