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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SAB Setting of “Jesu Rex Admirabilis”

Guest Author · September 9, 2015

316 Rick Wheeler Church O MANY OPINIONS, so many choices; how does one format a Liturgy with so much music available? Well, in Littleton, Colorado, we have a pre-set format when it comes to chant—the Liber Usualis—and the rest is determined by a simple formula. That being said, Our Lady of Mount Carmel’s website/choir page is not a blog, but a place where soon all copyright-free music scores that the church offers (and we can edit for electronic transfer) will be available for musicians to download and use. I wanted to make sure word got out, and thanks to CCW that’s going to happen.

Before I go any further, here’s a brief sample of what Sacred music is like at our Colorado parish. As a bonus, you get a wonderful Palestrina score for SOPRANO-ALTO-BARITONE that might come in handy!

    * *  Mp3 Audio • “Jesu Rex Admirabilis”

    * *  PDF Download • “Jesu Rex Admirabilis”

I’m so very appreciative of the plethora of great traditional blogs that are online now. Some are quite radical, but many are helpful and show a great spirit of unification (real charity) in the church regarding not only in the EF but also in the post-conciliar Masses. I’d like also to offer my thanks to CCW for the great articles and blogs offered there. Many churches now resound with music due to the dedication of bloggers and musicians, all helping the faithful to raise their souls to God and Our Lord in the Blessed Sacrament. Now, what that means is being faithful to rules regarding music for the Liturgy and there is where disagreement seems to begin.

There are lots of ideas online regarding what it takes to restore sacred music and I’ve found a great deal of those opinions helpful in planning any given Sunday. Our Lady of Mount Carmel decided to go with a very simple focus. Under the patient and holy direction of Fr. James Jackson we decided that a percentage focus on Chant/Polyphony/Hymns was necessary. Since the processional and recessional was sufficient to cover the hymns portion of the liturgy, we usually leave the hymnody to that place. Our Schola Cantorum sings the Gregorian Propers every Sunday unless there are polyphonic Propers that are part of the Mass of the day. Our Parish is supported by the wonderful priests of the Fraternity of St. Peter which means we get to have the EF Mass all the time and use the Liber Usualis for our calendar. During Holy Week we have full Gregorian Tenebrae in addition to the liturgies of Maundy Thursday, Good Friday, and Holy Saturday Vigil. Soon, we’ll be adding the Matins of Christmas. Recently we’ve acquired the rare and beautiful chants for that ceremony, and will soon post those for anyone to use. The treasures of the church are to be shared—we at OLMC firmly believe that—and so all our music editings are completely copyright-free, with only a Creative Commons request at the bottom. We have even had polyphony written for us in the late Renaissance style, and a CD of the live recording will be ready soon.

Here’s the choir of Our Lady of Mount Carmel singing an Ave Maria setting by Parsons:


So, chant 70% of the time, polyphony 20-25% of the time, and hymns at the ends and possibly 5% of the time during Mass. As the Second Vatican Council has asked…. chant (primacy of place) then/polyphony/hymns as commanded by Pope Pius XII and many other popes.

Our Lady of Mount Carmel is located at:

5612 S. Hickory Street
Littleton, CO 80120


We hope you enjoyed this guest article by Rick Wheeler.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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President’s Corner

    Typo in the “Missale Romanum” (1962)
    The 1962 MISSALE ROMANUM was a transitional missal. It was on its way to becoming the 1970 version, but wasn’t there yet. It eliminated certain duplications, downplayed the Prayers at the Foot of the Altar, expanded the role of laymen, minimized the Last Gospel, made many items optional, and so forth. Father Valentine Young spotted many typos in the 1962 MISSALE ROMANUM, especially incorrect accents. The Offertory Antiphon for this coming Sunday (OF kalendar) contains an error, citing the wrong verse from Psalm 118. It should be 118:107b, not 118:154. If you read verse 154, you’ll understand how that error crept in. [In this particular case, the error pre-dates the 1962 Missal, since the 1940s hand-missal by Father Lasance also gets it wrong.]
    —Jeff Ostrowski
    “Music List” • 30th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 26 October 2025, which is the 30th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Little Encouragement?
    In the Gospel, our Savior tells about 10 lepers who were healed. Only one went back to give thanks. Precious few express gratitude, yet many have endless energy to complain. For that reason, I deeply appreciate receiving messages like the following, which arrived a few days ago (about the parish where I direct in Michigan): “Last Sunday, a couple I knew from Grand Rapids was at Mass at 10:00 a.m. I got a chance to talk to them after Mass. I wanted to let you know what they said about the choir. They were absolutely floored by our sound!!!!! They both said they could continuously listen to our choir and the beauty of it. They asked me: “Do you always sound like that?” And they were also very surprised at how packed the church was. They said it was nice for them to be in such a full church. I just thought you would be interested to know their thoughts about our choir.”
    —Jeff Ostrowski

Quick Thoughts

    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski

Random Quote

“You have thereby removed from the celebration of the Mass all superstitions, all greed for lucre, and all irreverence … removed its celebrations from private homes and profane places to holy and consecrated sanctuaries. You have banished from the temple of the Lord the more effeminate singing and musical compositions.”

— ‘Bishop Racozonus, speaking at the last session of the Council of Trent (1563)’

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  • Typo in the “Missale Romanum” (1962)
  • “Music List” • 30th in Ordinary Time (Year C)
  • “Our Father” • Musical Setting?

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