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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • SAB Setting of “Jesu Rex Admirabilis”

Guest Author · September 9, 2015

316 Rick Wheeler Church O MANY OPINIONS, so many choices; how does one format a Liturgy with so much music available? Well, in Littleton, Colorado, we have a pre-set format when it comes to chant—the Liber Usualis—and the rest is determined by a simple formula. That being said, Our Lady of Mount Carmel’s website/choir page is not a blog, but a place where soon all copyright-free music scores that the church offers (and we can edit for electronic transfer) will be available for musicians to download and use. I wanted to make sure word got out, and thanks to CCW that’s going to happen.

Before I go any further, here’s a brief sample of what Sacred music is like at our Colorado parish. As a bonus, you get a wonderful Palestrina score for SOPRANO-ALTO-BARITONE that might come in handy!

    * *  Mp3 Audio • “Jesu Rex Admirabilis”

    * *  PDF Download • “Jesu Rex Admirabilis”

I’m so very appreciative of the plethora of great traditional blogs that are online now. Some are quite radical, but many are helpful and show a great spirit of unification (real charity) in the church regarding not only in the EF but also in the post-conciliar Masses. I’d like also to offer my thanks to CCW for the great articles and blogs offered there. Many churches now resound with music due to the dedication of bloggers and musicians, all helping the faithful to raise their souls to God and Our Lord in the Blessed Sacrament. Now, what that means is being faithful to rules regarding music for the Liturgy and there is where disagreement seems to begin.

There are lots of ideas online regarding what it takes to restore sacred music and I’ve found a great deal of those opinions helpful in planning any given Sunday. Our Lady of Mount Carmel decided to go with a very simple focus. Under the patient and holy direction of Fr. James Jackson we decided that a percentage focus on Chant/Polyphony/Hymns was necessary. Since the processional and recessional was sufficient to cover the hymns portion of the liturgy, we usually leave the hymnody to that place. Our Schola Cantorum sings the Gregorian Propers every Sunday unless there are polyphonic Propers that are part of the Mass of the day. Our Parish is supported by the wonderful priests of the Fraternity of St. Peter which means we get to have the EF Mass all the time and use the Liber Usualis for our calendar. During Holy Week we have full Gregorian Tenebrae in addition to the liturgies of Maundy Thursday, Good Friday, and Holy Saturday Vigil. Soon, we’ll be adding the Matins of Christmas. Recently we’ve acquired the rare and beautiful chants for that ceremony, and will soon post those for anyone to use. The treasures of the church are to be shared—we at OLMC firmly believe that—and so all our music editings are completely copyright-free, with only a Creative Commons request at the bottom. We have even had polyphony written for us in the late Renaissance style, and a CD of the live recording will be ready soon.

Here’s the choir of Our Lady of Mount Carmel singing an Ave Maria setting by Parsons:


So, chant 70% of the time, polyphony 20-25% of the time, and hymns at the ends and possibly 5% of the time during Mass. As the Second Vatican Council has asked…. chant (primacy of place) then/polyphony/hymns as commanded by Pope Pius XII and many other popes.

Our Lady of Mount Carmel is located at:

5612 S. Hickory Street
Littleton, CO 80120


We hope you enjoyed this guest article by Rick Wheeler.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

In the place of liturgy as the fruit of development came fabricated liturgy. We abandoned the organic, living process of growth and development over centuries, and replaced it—as in a manufacturing process—with a fabrication, a banal on-the-spot product.

— ‘Pope Benedict XVI, describing the postconciliar liturgical reforms’

Recent Posts

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  • Pipe Organ “Answers” in Plainsong?
  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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