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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • “Christ The King Hymnal” (1955)

Jeff Ostrowski · October 21, 2015

OME OF YOU KNOW I’m currently involved in serving on a committee to produce the Brébeuf hymnal. As part of our research, we peruse old hymn books searching for melodies and texts of a high quality. Whenever I find a particularly intriguing Catholic hymnal, I try to share it with our readers. This one is 232 pages:

*  PDF Download • “Christ the King Hymnal” (1954)
—232 pages • Scanned & uploaded by Corpus Christi Watershed in 2015.

The vast majority of these hymns will be unfamiliar to most USA Catholics since they come from the German tradition. The collection was produced by Rev. Aloysius Knauff in Saskatchewan (CANADA). However, the lion’s share of work was done by Sister Pauline of St. Clare Convent (CINCINNATI, OHIO), who translated tons of hymns from German into English. I’m afraid to admit that some of her renderings strike me as a bit forced. The back of the book has quite a nice section of indices.

The cover looks like this:

From the book’s PREFACE:

ROM THE RICH TREASURES of Catholic hymnody of several centuries I have endeavored to choose the best. To this precious legacy from our forefathers I have added many hymns from more recent composers. I have resisted the temptation of including certain hymns which, although very popular, have melodies or texts of inferior character, such as the hymns O du mein Heiland hoch und hehr, Es bluht der Blumen eine, Geleite durch die Wellen, etc. Wherever possible, I have added the Latin text to the English with the hope of extending the repertoire of hymns and motets which could be used at High Mass. Latin hymns for Benediction of the Blessed Sacrament commence with hymn No. 160 on page 172 and will no doubt be appreciated—particularly in convents, seminaries, and boarding schools, where Benediction is very frequent.

A word of sincere thanks is due here, first to my collaborator, Mr. Hubert Wachendorf of Aachen, Germany, who has succeeded in producing a fine accompaniment to most of these hymns; to Sister Pauline, S.P.S.F., of St. Clare Convent, Hartwell (Cincinnati, Ohio) who has made excellent translations for most of the German hymns; and to Dr. Eugene Lapierre of Montreal, Canada, for the accompaniments to the Gregorian chants…

To get an idea how these hymns actually sound, click on the video in this article and go to the last verse, which is sung in SATB harmony.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Christ the King Last Updated: November 4, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“[Saint Jerome’s Latin] fairly frequently represents a purer text than does the existing Hebrew, sometimes yielding a plain sense when the Massoretic text fails to do so, and quite often providing a working interpretation of a passage where the Hebrew is doubtful.”

— Sebastian Bullough, O.P. (June 1949)

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