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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Rehearsal Videos • Victoria’s “Ave Maria” (SATB)

Jeff Ostrowski · December 10, 2015

942 IMAGE AVE MARIA Tomás Luis de Victoria SATB EOPLE ENJOYED the “O Magnum Mysterium” rehearsal videos, so I went ahead and created individual practice videos for the SATB “Ave Maria” attributed to Tomás Luis de Victoria:

* *  PDF Download • “Ave Maria” (SATB)

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

These videos are intended to help amateur choirs learn. When you’re listening, please remember that I’m a tenor! (I do my very best with the other voice parts.)

FOR YEARS, WE HAVE BEEN TOLD that T. L. de Victoria (d. 1611) did not write this piece. Many believed that Karl Proske wrote it under a false name, publishing it in his 1854 collection. But consider these original manuscripts shared by my friend Nancho Alvarez. If Nancho reads this article, perhaps he can let me know the date of these manuscripts—they do not seem like something Proske would write. 1

939 AVE MARIA Tomás Luis de Victoria SATB 940 AVE MARIA Tomás Luis de Victoria SATB 941 AVE MARIA Tomás Luis de Victoria SATB

I’m not so sure Victoria—toward the very end of his life—could not have written this piece. Here are six reasons why:

(1) The music is of a very high quality.

(2) The Tenor and Bass lines in measures 14-16 remind me of a section in Victoria’s “Domine non sum dignus.”

(3) The 3/4 section toward the end is reminiscent of pieces by Victoria and other composers of that time, such as Jacobus Handl-Gallus.

(4) The incipit at the beginning is certainly something Victoria would have done, and comes directly from the Gregorian version. In fact, if you carefully examine the Gregorian melody—such as the phrase “Sancta Maria”—you’ll see that many melodies are based on the plainsong. As a Roman Catholic priest, Victoria loved to use the plainsong melodies in his polyphonic compositions.

(5) The composer says “JESUS CHRISTUS” instead of “Jesus,” which reminds me of what was done to the Holy Name in Victoria’s “O Magnum Mysterium.”

(6) Victoria did not compose a 4-voice AVE MARIA, except for this one. Therefore, it fills a lacuna in his repertoire.

In addition, the use of chromaticism seems—in my humble opinion—to match what was being done circa 1605AD.

 


NOTES FROM THIS ARTICLE:

1   Part books had generally fallen out of fashion by the 19th century. The entire 1854 collection by Carl Proske—called “Musica Divina”—can be downloaded HERE.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 16, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

“Finally, let us not forget that listening especially is active participation. When we listen to the performances of Bach’s Saint Matthew Passion, we can fully participate actively in the Passion of Christ. And so, if we listen attentively to the singing and organ music during the celebration of the divine services, our participation is not less complete. The real significance of this objective and very important aspect is insufficiently understood.”

— Flor Peeters

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