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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

It Has Arrived! • “Proper of the Mass” (Ignatius)

Jeff Ostrowski · April 7, 2015

944 Weber Propers Missal Gradual VER A PERIOD of weeks, we’ve discussed the current system of replacing assigned Mass texts in the Ordinary Form, which violates liturgical law. 1 Priests wishing to allow their congregations to pray the actual prayers of the Mass have a solution in the Jogues Lectionary, the only pew book containing the full Vatican II propers in Latin & English.

But what about the music?

Many parishes use the Lalemant Propers (very simple); Simple English Propers (fairly simple); or Graduale Parvum (simple). 2 Yet, when it comes to Ordinary Form propers, we need as many options as possible, and a fantastic book appeared today:

* *  PROPER OF THE MASS — 1,292 page book

I won’t reproduce the descriptions given there, but please notice that Fr. Weber’s book provides multiple settings for each chant. Below are audio samples demonstrating a “simpler” setting and a “complex” setting of the same Entrance chant. If you’re familiar with the ancient Latin version (“Judica Me”) you will notice that Fr. Weber’s version sounds quite similar:

Simpler Setting:   YouTube   •   Mp3 File

Complex Setting:   YouTube   •   Mp3 File

I ordered my copy today; when it arrives, I hope to write a comprehensive review of Fr. Weber’s masterpiece.

Proper of the Mass: Entrance, Offertory and Communion Antiphons for Sundays and Solemnities (Benedict XVI Institute, 19 March 2014)

*** UPDATES :

Lovely images of this book can now be viewed.

Andrew R. Motyka has posted a beautiful review of this book.

 

HIGHLY RECOMMEND this new English Gradual to anyone who wants to sing the proper antiphons on a regular basis and is looking for very accessible, yet most beautiful chant in the vernacular. We cannot thank Fr. Samuel Weber enough for all his hard work, a true labor of love and dedication to liturgy and the Church. I am most confident that this new Gradual will become a standard work and hopefully find a home in many parishes.

—Dr. Horst Buchholz (Cathedral Basilica of Saint Louis, MO)

 

 


NOTES FROM THIS ARTICLE:

1   Daniel Craig’s landmark article presents important documentation from the USCCB which—although it dates from a few years ago—is still pertinent.

2   Even more options, along with audio samples, can be found here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Propers Ignatius Press by Fr Samuel Weber Last Updated: October 25, 2024

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski
    PDF Download • Draft Copy (Pamphlet)
    A few days ago, I posted a draft copy of this 12-page pamphlet with citations about the laity’s “full, conscious, and active participation.” Its basic point or message is that choir directors should never feel embarrassed to teach real choral music because Vatican II explicitly ordered them to do that! We’ve received tons of mail regarding that pamphlet, with many excellent suggestions for improvement. Please feel free to chime in!
    —Jeff Ostrowski
    “Entrance Chant” • 23rd (Ordinary Time)
    This coming Sunday, 7 September 2025, is the 23rd Sunday in Ordinary Time (Year C). You can download the “Entrance Chant,” conveniently located at the feasts website. I also recorded a rehearsal video for it (freely available at the same website). The Communion Chant includes gorgeous verses in FAUXBOURDON. I attempted to create a rehearsal video for it, and it’s been posted at the feasts website, called by some: “church music’s best kept secret.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

If it is the explicit will of the Council that the faithful are to be able to sing the “Gloria” or the “Credo” together in Latin [which it is] then indirectly there is being expressed here the obligation of regularly celebrating Mass with Latin Gregorian chant. And not merely occasionally, but with such frequency and constancy as to make the singing of these Latin texts a genuine possession of the faithful.

— Heinrich Flatten, Apostolic Protonotary & Canon Law Professor (Bonn)

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