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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgical Silence—But Not What You Think!

Jeff Ostrowski · April 29, 2015

855 Silence OT LONG AGO, I posted an article which mentioned the subject of paying people to sing at Church. I was very careful not to say—one way or the other—whether I felt it was acceptable to pay singers. I did, however, mention my personal preference. Very soon, I got angry emails. Some were furious that I had called the practice acceptable. Others were mad I had condemned it outright. Obviously, the people making these claims had not read my article. An acquaintance of mine wrote something to the effect of, “So, you condemn singers who are paid? Too bad for you, idiot.”

Over the years, I’ve learned that—very frequently—the only acceptable response is silence. When I was young, I would have argued. I would have pointed out that I never made such a claim. I would have pointed out that I’d merely expressed my preference, which I’m allowed to do in a free society. I would have said many things—and it wouldn’t have made any difference.

There are many kinds of SILENCE. Consider, for example, when you try to contact a typical American company; even one you’ve done business with for years. Normally, they don’t wish to speak to you. They send you emails from a “No Reply” email address. They force you to speak to “robot” machines on the phone. (No matter how many times you punch in the correct information, it’s not accepted.) They place you on hold for hours and hours. 1 On the other hand, there’s the SILENCE experienced by many of our friends when they contact Corpus Christi Watershed. We receive so many emails it’s impossible to reply to them all. This makes me sad, but there’s no alternative. 2

THERE IS A SILENCE WHICH HAS an effect on the liturgy, but not in a good way. It has to do with the Bishops’ Committee on the Liturgy, which declared on 20 November 2012 that paragraph 48 of the General Instruction of the Roman Missal (GIRM) can be ignored. Paragraph 48 says that music replacing the Entrance chant assigned by the Church must be approved. Yet, when it comes to other items—such as the law saying only an approved translation can be used for the readings at Mass—nobody says it’s okay to ignore that directive. Daniel Craig wrote more than 80 letters to the Bishops’ Committee over a period of months, but the matter was never clarified.

The Committee seems to have chosen SILENCE. Nobody can force them to clarify this matter. Let’s face it, once we start picking and choosing which parts of the GIRM we can ignore, things get complicated. Moreover, it would seem that the USCCB doesn’t wish to clarify, because doing so would draw attention to the fact that 96% of Catholic churches in the USA are not following the GIRM.

As far as the big publishing companies are concerned, SILENCE on this matter—for forty years—has worked out just fine.



NOTES FROM THIS ARTICLE:

1   American Airlines once placed me on hold for more than 14 hours before allowing me to correct an error they had made.

2   A reader got angry about this, telling me I had a moral obligation to stay up all night—every night—until each email was answered properly.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymns Replacing Propers, Traditionis Custodes Vernacular Last Updated: July 23, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“So, as in delirium a man talks in a long-forgotten tongue, now—when her heart is rent—the Catholic Church drops twenty centuries without an effort, and speaks as she spoke underground in Rome, and in Paul’s hired house, and in Crete and Alexandria and Jerusalem.”

— A non-Catholic describing the “Hagios O Theos” of Good Friday in 1906

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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