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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bach Mass In B Minor • Robert Shaw, 1947

Jeff Ostrowski · October 30, 2014

733 Bach Shaw OT ALL sacred music is appropriate for use during the liturgy. For example, some pieces are too long (cf. Pius X Tra le Sollecitudini, §23) or too theatrical (idem §6). Examples would include Beethoven’s Missa solemnis, Mozart’s Requiem, Verdi’s Requiem, and Bach’s Mass in B Minor. Even though it cannot be used during the liturgy 1 it remains glorious music.

For me, one of the greatest masterpieces ever written is Bach’s Mass in B Minor. My favorite recording, in spite of a few minor flaws, has always been the 1947 version conducted by Robert Shaw. (see below)

I cannot convey to you how highly I value this music and how much joy it has brought me through the years, so I won’t even try.

The following mp3 files are courtesy of archive.org. Enjoy!

KYRIE

01 Kyrie eleison (Chorus)

02 Christe eleison (Duet: Sopranos I and II)

03 Kyrie eleison (Chorus)

GLORIA

04 Gloria in excelsis Deo (Chorus)

05 Laudamus Te (Aria: Soprano II with Violin obbligato)

06 Gratias agimus (Chorus)

07 Domine Deus (Duet: Soprano I and Tenor)

08 Qui tollis pecata mundi (Chorus)

09 Qui sedes ad dexteram (Aria: Alto with Oboe d’amore obbligato)

10 Quoniam tu solus sanctus (Aria: Bass with Corno da caccia obbligato)

11 Cum sancto spiritu (Chorus)

CREDO

12 Credo in unum Deum (Chorus)

13 Patrem omnipotentem (Chorus)

14 Et in unum Deum (Duet: Soprano and Alto)

15 Et incarnatus est (Chorus)

16 Crucifixus (Chorus)

17 Et resurrexit (Chorus)

18 Et in spiritum sanctum (Aria: Bass with Oboi d’amore obbligati)

19 Confiteor (Chorus)

SANCTUS

20 Sanctus, sanctus, sanctus (Chorus)

21 Osanna in excelsis (Chorus)

22 Benedictus (Aria: Tenor with Violin obbligato)

AGNUS

23 Agnus Dei (Aria: Alto with Violin obbligato)

24 Dona nobis pacem (Chorus)


J. S. BACH: Mass in B minor, BWV 232

Anne McKnight, soprano I
June Gardner, soporano II
Lydia Summers, contralto
Lucius Metz, tenor
Paul Matthen, bass

RCA Victor Chorale and Orchestra
Robert Shaw, Conductor
Recorded in 1947




NOTES FROM THIS ARTICLE:

1   Bach’s Mass in B Minor was probably never intended for use during an actual Catholic liturgy. If this seems strange, consider the cultural importance of the Catholic Mass going back 1600+ years. Even during the 20th century, non-Catholics like Igor Stravinsky composed Masses.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: J S BACH Mass in B minor BWV 232 Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski
    Music List • (5th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 5th Sunday of Lent (22 March 2026). If such a thing interests you, feel free to download it as a PDF file. Traditionally, this Sunday was called ‘Passion’ Sunday. Starting in 1956, certain church leaders attempted rename both ‘Passion’ Sunday and ‘Palm’ Sunday—but it didn’t work. For example, Monsignor Frederick McManus tried to get people to call PALM SUNDAY “Second Passion Sunday”—but the faithful rejected that. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    Music List • (Holy Thursday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Holy Thursday, which is 2 April 2026. If such a thing interests you, feel free to download it as a PDF file. I’m not sure I’ve ever heard a more piercingly beautiful INTROIT, and I have come to absolutely love the SATB version of ‘Ubi cáritas’ we are singing (joined by our burgeoning children’s choir). I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

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  • “Gregorian Chant Quiz” • 24 March 2026
  • “Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak
  • PDF Download • “Ubi Caritas” (SATB)

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