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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Bach Mass In B Minor • Robert Shaw, 1947

Jeff Ostrowski · October 30, 2014

733 Bach Shaw OT ALL sacred music is appropriate for use during the liturgy. For example, some pieces are too long (cf. Pius X Tra le Sollecitudini, §23) or too theatrical (idem §6). Examples would include Beethoven’s Missa solemnis, Mozart’s Requiem, Verdi’s Requiem, and Bach’s Mass in B Minor. Even though it cannot be used during the liturgy 1 it remains glorious music.

For me, one of the greatest masterpieces ever written is Bach’s Mass in B Minor. My favorite recording, in spite of a few minor flaws, has always been the 1947 version conducted by Robert Shaw. (see below)

I cannot convey to you how highly I value this music and how much joy it has brought me through the years, so I won’t even try.

The following mp3 files are courtesy of archive.org. Enjoy!

KYRIE

01 Kyrie eleison (Chorus)

02 Christe eleison (Duet: Sopranos I and II)

03 Kyrie eleison (Chorus)

GLORIA

04 Gloria in excelsis Deo (Chorus)

05 Laudamus Te (Aria: Soprano II with Violin obbligato)

06 Gratias agimus (Chorus)

07 Domine Deus (Duet: Soprano I and Tenor)

08 Qui tollis pecata mundi (Chorus)

09 Qui sedes ad dexteram (Aria: Alto with Oboe d’amore obbligato)

10 Quoniam tu solus sanctus (Aria: Bass with Corno da caccia obbligato)

11 Cum sancto spiritu (Chorus)

CREDO

12 Credo in unum Deum (Chorus)

13 Patrem omnipotentem (Chorus)

14 Et in unum Deum (Duet: Soprano and Alto)

15 Et incarnatus est (Chorus)

16 Crucifixus (Chorus)

17 Et resurrexit (Chorus)

18 Et in spiritum sanctum (Aria: Bass with Oboi d’amore obbligati)

19 Confiteor (Chorus)

SANCTUS

20 Sanctus, sanctus, sanctus (Chorus)

21 Osanna in excelsis (Chorus)

22 Benedictus (Aria: Tenor with Violin obbligato)

AGNUS

23 Agnus Dei (Aria: Alto with Violin obbligato)

24 Dona nobis pacem (Chorus)


J. S. BACH: Mass in B minor, BWV 232

Anne McKnight, soprano I
June Gardner, soporano II
Lydia Summers, contralto
Lucius Metz, tenor
Paul Matthen, bass

RCA Victor Chorale and Orchestra
Robert Shaw, Conductor
Recorded in 1947




NOTES FROM THIS ARTICLE:

1   Bach’s Mass in B Minor was probably never intended for use during an actual Catholic liturgy. If this seems strange, consider the cultural importance of the Catholic Mass going back 1600+ years. Even during the 20th century, non-Catholics like Igor Stravinsky composed Masses.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: J S BACH Mass in B minor BWV 232 Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski
    Music List • (2nd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 2nd Sunday of Lent (1 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its somber INTROIT is particularly striking—using a haunting tonality—but the COMMUNION with its fauxbourdon verses is also quite remarkable. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“There are some so restless that when they are free from labour they labour all the more, because the more leisure they have for thought, the worse interior turmoil they have to bear.”

— Pope Gregory the Great

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