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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Are Priests Permitted To Add More Scripture To The Ordinary Form? Yes!

Jeff Ostrowski · July 29, 2014

198 Mitre OMETIMES THE OPPOSITE of what we desire occurs. For example, I’ve had the experience of having Humana (a health insurance company) make fraudulent withdrawals from my bank account. When I contacted them, they promised to return the money, but instead took more. After several months of this type of behavior, I was forced to hire an attorney to get my money back.

The same is true of the reformed liturgy.

The fathers of the Second Vatican Council desired a greater use of Scripture, but somehow the reformers (who began their work after the Council ended) decided to do the opposite, removing gobs of biblical passages. A list of scriptural passages eliminated by the reformers would include:

a) An entire Psalm at the beginning (each Mass).
b) An entire Psalm during the Offertory Incensation (High Mass only).
c) An entire Psalm during the Washing of Hands (each Mass).
d) An entire Gospel Reading at the conclusion (each Mass).

It’s highly unlikely such items will be reintroduced to the Ordinary Form anytime soon. So what should we do? Grumble and complain?

RATHER THAN CURSE THE DARKNESS, priests in the Ordinary Form can immediately add tons of Scripture back into the Mass. All they have to do is use the Propers from the Roman Gradual, which are almost entirely scriptural. Moreover, the Propers are the “First Option” in the General Instruction of the Roman Missal, which means they must be given preference in “average” parish circumstances.

However, it is essential that those sitting in the pews follow along, whether Propers are sung in English or Latin. This has always been a concern to good and faithful priests, as you can see by the following examples:

      * *  PDF Download: Paris Missal for the Laity (1777)

      * *  PDF Download: Vienna Missal for the Laity (1783)

      * *  PDF Download: London Missal for the Laity (1806)


A new parish booklet is available which will absolutely change the liturgical landscape, in my opinion, owing to the sumptuous beauty of its printed fonts. It’s the only Ordinary Form pew book to include the complete Propers in English & Latin.

Do you agree its typesetting is insanely legible? Here are some samples:

      * *  Sample Pages — St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual

These books are incredibly affordable and will allow the members of your congregation to enter into the ancient Propers of the Mass. Because it’s for the “English Mass” (Ordinary Form) it adheres to the reformed Gradual.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Graduale Romanum Roman Gradual Propers, Hymns Replacing Propers Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The Sacrifice is celebrated with many solemn rites, none of which should be deemed useless or superfluous. On the contrary, all of them tend to display the majesty of this august sacrifice, and to excite the faithful, when beholding these saving mysteries, to contemplate the divine things which lie concealed in the Eucharistic Sacrifice.

— Catechism of the Council of Trent (1566)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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