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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Ratzinger: “How much filth there is in the church!”

Jeff Ostrowski · January 24, 2014

saint lawrence IFE IN THE MIDDLE AGES must have been unthinkably brutal. They had no running water. They had no electricity. They lacked air conditioners and heaters. Think of it: they lacked all the techniques of modern medicine. They had no plumbing. Life expectancy was frightfully short, and childbirth nightmarish. The utter filth — the total lack of sanitation — must have been unimaginable. Worst of all, imagine watching your poor little child suffer, without any way to ease the suffering.

And yet, think of the liturgical art that comes to us from the Middle Ages. Think of the beautiful Gregorian chant, and (later) polyphony. Think of the frescoes by Angelico, Botticelli, and Ghirlandaio. Why on earth would people living in such barbaric, brutal times be concerned with liturgical beauty?

A few days ago, I read a book review on NLM and, thanks to Google, was able to read excerpts from the actual book (until I’d had enough). The book was by Andrea Grillo, who repeated the same old tired ideas of the past 40 years. Without rehashing all that, his school of thought claims that “modern man” is too stupid to appreciate a Lingua Sacra, the liturgy needs to be continuously dumbed down, Church music should be whatever entertains certain people, following a Missal at Mass is unthinkable and impossible, eloquent and hieratic language must never return, and so on ad infinitum.

And yet … consider that every day for medieval Catholics must have been pure misery compared to what we have, but they valued highly liturgical beauty and excellence. I can’t help thinking that Pope Benedict XVI was right: the liturgy must be beautiful. If we’re too lazy to put forth minimal effort, then something is wrong with us!

The 2005 “Stations of the Cross” by Pope Benedict XVI are quite moving. When he spoke of the “filth” of the Church, he was referencing spiritual filth — specifically, Catholic priests who disobeyed God’s holy law. How strange that the medieval Catholics, who lived in (quite frankly) a filthy physical world, in many ways took the liturgy more seriously than we do today, in spite of all the blessings and advantages we’ve been given.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Pope Benedict XVI, Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

Recent Posts

  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”

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