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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How To Debunk Four Common Liturgical Myths

Jeff Ostrowski · August 21, 2014

The following myths have lived long & healthy lives.  Today, they die.


1.) Our Mass texts are copyrighted to preserve their integrity.

This statement is false, but many good people accept it.

First of all, let’s be clear about the Mass texts. They’re owned by various parties: even some non-Catholic corporations!

What’s doubly confusing is that different parts — Readings, Responsorial Psalms, Resp. Psalm REFRAINS, Collects, and so on — are owned by different corporations. The sale of these texts has become a huge source of money for the owners, but it’s done in violation of Canon law (which stipulates that indulgenced prayer texts cannot be sold for profit).

Rather than “preserving the integrity” of the official texts, this situation has led composers to alter them (so they can copyright their versions and collect royalties). This deplorable situation must stop. It’s been fifty years since Vatican II, and the Catholic Church has a billion members. Without question, the necessary funding could be obtained to produce translations using the Creative Commons Copyright. That way, they could be shared & prayed freely. When it comes to Church approval, this should be granted only to publishers faithfully reproducing the official texts.

Copyrighting liturgical texts to preserve their integrity makes about as much sense as supporting abortion, yet opposing capital punishment on moral grounds.


2.) The hymns chosen at Mass should correspond to the Readings.

This one sounds so good … but it’s false.

As explained in this true-but-boring article, the system adopted after the Second Vatican Council guarantees that the readings will seldom correspond to the feast, except for major ones like Easter, Pentecost, and Christmas. Some might immediately say, “Wow, that’s not in accordance with tradition.” However, before you say that, read these astounding Fortescue excerpts:

      * *  PDF Download: Fr. Fortescue Discusses Liturgical Readings

Now that you’ve read those excerpts, you won’t panic when I say that the Propers are usually a better way to “choose the hymns” — but what’s even better is to sing the actual Mass propers in English or Latin.


3.) Bugnini altered the traditional Propers in the 1970 Missal.

This statement is inaccurate, in spite of what many respected scholars believe. For example, a very competent liturgist, Joseph Shaw, recently wrote the following:

“The Graduale Romanum has for centuries been the Church’s book of liturgical music. […] When the Novus Ordo came out, a vast number of these texts had been changed. Bugnini had gone through with his trusty blue pencil and re-written some, deleted others, composed still more afresh.”

In reality, what happened was more complex. Bugnini’s Consilium added some Entrance & Communion antiphons, which don’t always match the Graduale, for use in Masses without music. Those antiphons are commonly referred to as “Spoken Propers” to differentiate them from the full set of “Sung Propers” found in the Roman Gradual.

You can read a series of important articles on this very topic by clicking here (scroll down to the “Essay” section). Without repeating what was already said there, I would merely point out that the Novus Ordo does not have a Missal strictly speaking: it has a Sacramentary. If we understand why the Novus Ordo does not have a “Missal,” confusion about Spoken/Sung Propers disappears.


4.) Priests before Vatican II couldn’t speak Latin.

This statement is quite common, but false.

Before the Council, seminary courses were taught in Latin. I’d read statements to this effect from priests but still couldn’t believe it. So, I approached elderly priests, asking, “Were your seminary courses really taught in Latin?” The answer was still “YES“ — although, a few admitted their courses were actually taught in English, but their textbooks were in Latin.

As strange as it may sound, the Epistle/Gospel were often read in the vernacular at the beginning of the homily (even before Vatican II). 1 One time, our elderly priest began his homily, but the particular feast was missing from his book of English translations. 2 The priest returned to the Altar, removed the big red Missal, carried it to the pulpit, and proceeded to translate the entire Gospel into English. Oops: I guess he must have learned Latin in the seminary, huh?

In the 1960s, it became popular for priests to pretend they couldn’t understand Latin. Cardinal Cushing made such a claim 3 but there’s one problem: he graduated from high school in 1913, receiving honors for Latin and Greek.




NOTES FROM THIS ARTICLE:

1   Until the 1950s, the Gospel was often proclaimed three times: (1) by the priest quietly; (2) by the deacon singing; and (3) at the beginning of the homily, before the sermon.

2   Perhaps it was a newer feast such as «Christ the King» (created in 1925).

3   A thorough treatment of his lie can be found here. That article includes a video of Cardinal Cushing reciting Latin at the funeral of John F. Kennedy which is not to be missed.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Fr Adrian Fortescue Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski
    Music List • (Easter Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Easter Sunday—a.k.a. “Ad Missam in die Paschae”—which is 5 April 2026. Please feel free to download it as a PDF file if such a thing interests you. The Fauxbourdon for Communion is particularly moving.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

And since it is becoming that holy things be administered in a holy manner, and of all things this sacrifice is the most holy, the Catholic Church, to the end that it might be worthily and reverently offered and received, instituted many centuries ago the holy canon, which is so free from error that it contains nothing that does not in the highest degree savor of a certain holiness and piety and raise up to God the minds of those who offer.

— Council of Trent (1562)

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  • PDF • “Liturgical Law” (467 Pages)
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  • Responsorial Psalm Fauxbourdon?

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