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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

How To Debunk Four Common Liturgical Myths

Jeff Ostrowski · August 21, 2014

The following myths have lived long & healthy lives.  Today, they die.


1.) Our Mass texts are copyrighted to preserve their integrity.

This statement is false, but many good people accept it.

First of all, let’s be clear about the Mass texts. They’re owned by various parties: even some non-Catholic corporations!

What’s doubly confusing is that different parts — Readings, Responsorial Psalms, Resp. Psalm REFRAINS, Collects, and so on — are owned by different corporations. The sale of these texts has become a huge source of money for the owners, but it’s done in violation of Canon law (which stipulates that indulgenced prayer texts cannot be sold for profit).

Rather than “preserving the integrity” of the official texts, this situation has led composers to alter them (so they can copyright their versions and collect royalties). This deplorable situation must stop. It’s been fifty years since Vatican II, and the Catholic Church has a billion members. Without question, the necessary funding could be obtained to produce translations using the Creative Commons Copyright. That way, they could be shared & prayed freely. When it comes to Church approval, this should be granted only to publishers faithfully reproducing the official texts.

Copyrighting liturgical texts to preserve their integrity makes about as much sense as supporting abortion, yet opposing capital punishment on moral grounds.


2.) The hymns chosen at Mass should correspond to the Readings.

This one sounds so good … but it’s false.

As explained in this true-but-boring article, the system adopted after the Second Vatican Council guarantees that the readings will seldom correspond to the feast, except for major ones like Easter, Pentecost, and Christmas. Some might immediately say, “Wow, that’s not in accordance with tradition.” However, before you say that, read these astounding Fortescue excerpts:

      * *  PDF Download: Fr. Fortescue Discusses Liturgical Readings

Now that you’ve read those excerpts, you won’t panic when I say that the Propers are usually a better way to “choose the hymns” — but what’s even better is to sing the actual Mass propers in English or Latin.


3.) Bugnini altered the traditional Propers in the 1970 Missal.

This statement is inaccurate, in spite of what many respected scholars believe. For example, a very competent liturgist, Joseph Shaw, recently wrote the following:

“The Graduale Romanum has for centuries been the Church’s book of liturgical music. […] When the Novus Ordo came out, a vast number of these texts had been changed. Bugnini had gone through with his trusty blue pencil and re-written some, deleted others, composed still more afresh.”

In reality, what happened was more complex. Bugnini’s Consilium added some Entrance & Communion antiphons, which don’t always match the Graduale, for use in Masses without music. Those antiphons are commonly referred to as “Spoken Propers” to differentiate them from the full set of “Sung Propers” found in the Roman Gradual.

You can read a series of important articles on this very topic by clicking here (scroll down to the “Essay” section). Without repeating what was already said there, I would merely point out that the Novus Ordo does not have a Missal strictly speaking: it has a Sacramentary. If we understand why the Novus Ordo does not have a “Missal,” confusion about Spoken/Sung Propers disappears.


4.) Priests before Vatican II couldn’t speak Latin.

This statement is quite common, but false.

Before the Council, seminary courses were taught in Latin. I’d read statements to this effect from priests but still couldn’t believe it. So, I approached elderly priests, asking, “Were your seminary courses really taught in Latin?” The answer was still “YES“ — although, a few admitted their courses were actually taught in English, but their textbooks were in Latin.

As strange as it may sound, the Epistle/Gospel were often read in the vernacular at the beginning of the homily (even before Vatican II). 1 One time, our elderly priest began his homily, but the particular feast was missing from his book of English translations. 2 The priest returned to the Altar, removed the big red Missal, carried it to the pulpit, and proceeded to translate the entire Gospel into English. Oops: I guess he must have learned Latin in the seminary, huh?

In the 1960s, it became popular for priests to pretend they couldn’t understand Latin. Cardinal Cushing made such a claim 3 but there’s one problem: he graduated from high school in 1913, receiving honors for Latin and Greek.




NOTES FROM THIS ARTICLE:

1   Until the 1950s, the Gospel was often proclaimed three times: (1) by the priest quietly; (2) by the deacon singing; and (3) at the beginning of the homily, before the sermon.

2   Perhaps it was a newer feast such as «Christ the King» (created in 1925).

3   A thorough treatment of his lie can be found here. That article includes a video of Cardinal Cushing reciting Latin at the funeral of John F. Kennedy which is not to be missed.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Rev Fr Adrian Fortescue Liturgy Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    “Reminder” — Month of April (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simply click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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