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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

More On “Mass Facing The People”

Jeff Ostrowski · September 27, 2013

“Where do the conciliar texts speak of communion in the hand, for example, or where do they enjoin the so-called altar facing the people, which is scant testimony to that ‘giving perfect glory to God’ which the liturgy constitution says (in para. 5) is the goal and purpose of worship? The answer is: Nowhere.” — Bishop Rudolf Graber of Regensburg (July, 1985)

374 Josemaría Escrivá St. Josemaría Escrivá celebrating Mass HE RISING POPULARITY of the internet has made it more difficult for people to misrepresent the teachings of the Second Vatican Council. At this point in time, a good number of Catholics realize that the Council never once mentioned “Mass facing the people,” and the current (2011) rubrics still assume the priest will be ad orientem. A multitude of documents treating this question can be found here.

The current rubrics tell the priest when he must turn around and face the people. This would be superfluous were he already facing them. However, the current rubrics also (sometimes) tell the priest when he must turn back around (i.e. resume facing the Altar), and this is often overlooked.

For example, look at rubric #157 of the General Instruction for the Roman Missal (2000):

157.  Oratione conclusa, sacerdos genuflectit, accipit hostiam, eamque aliquantulum elevatam super patenam vel super calicem tenens, versus ad populum, dicit: Ecce Agnus Dei …

157.  At the conclusion of this prayer, the priest genuflects and takes up the host (which he elevates slightly above the paten or chalice), and, having turned toward the people, says: “Behold the Lamb of God …. “

As soon as that’s over, the rubrics say:

158.  Postea, stans ad altare conversus, sacerdos secreto dicit: Corpus Christi …

158.  Then, having turned back around to face the altar, the priest says silently: “May the Body of Christ …”

THESE RUBRICS have been there since the very beginning. For instance, here’s what the 1969 GIRM said for that section:


The interesting thing is, contrary to what we might expect, these rubrics have been strengthened over the years. (On this, see Rev. Hunwicke’s article, here.)

By the way, don’t forget that, over the last forty years, the numbering system for the GIRM has changed, slight modifications have been made, and the Missal rubrics have been slightly altered as well. However, as I already mentioned, the rubrics which indicate the direction of the priest have been strengthened through the years.


REMINDER:  It is also lawful to celebrate Mass “facing the people” according to current Ecclesiastical law, even though this practice was never mentioned by Second Vatican Council.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Ad Orientem, Mass Facing The People Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

“In my capacity as the prefect of the Congregation for Divine Worship and the Discipline of the Sacraments, I continue to remind all that the celebration toward the East (versus orientem) is authorized by the rubrics of the missal, which specify the moments when the celebrant must turn toward the people. A particular authorization is, therefore, not needed to celebrate Mass facing the Lord.”

— ‘Robert Cardinal Sarah, 23 May 2016’

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