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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What Exactly Is “Uninspired” Church Music?

Jeff Ostrowski · December 10, 2013

HILE STUDYING Musicology in graduate school, I was occasionally asked to give presentations on Gregorian chant at local universities. During one talk, a student raised his hand and said, “This is the third time you’ve used the word ‘uninspired.’ What precisely do you mean?” I confess that his question rather stumped me.

Since that time, I’ve often tried to come up with a good definition for uninspired. Regarding music, perhaps a good definition would be, “When the text and words don’t match.”

THE VIDEO IN THE UPPER RIGHT CORNER has an “ObamaCare” song that recently won first prize in a government-sponsored contest. Most people would hear it and say, “She’s got a bad voice.” However, I disagree. I think she’s a good singer, but her song is uninspired. It also has some technical flaws … e.g. “oblivious” doesn’t rhyme with “serious.” The entire thing (subject, melody, feel, gestures) doesn’t match. It’s an uninspired song.

People sometimes believe “uninspired” means “simple,” but that’s wrong. Melodies can be very simple, but still inspired. Recently, a colleague whom I respect sent me a video called Psallite Sapienter. It certainly does contain simple music … but (in my humble opinion) it’s completely without inspiration:

      * *  Psallite Church Music • “Once this music gets under your skin, there’s no turning back!”

Can you hear how predictable the melodies and rhymes are? I love simple music … but I hate predictable music. Furthermore, such music will quickly begin to grate, and great music should never grate. So, perhaps another definition of uninspired might be, “Music that sounds like it took about five seconds to compose.”

Speaking of uninspired, have you heard what they’re doing to Christmas carols these days? Click on the little “play” button underneath the album cover to hear what I mean:

      * *  What Child Is This? • Cody Carnes & Dianne Michelle

I’m certainly not opposed to inspired and tasteful new versions of great tunes, but what those people did (in the above link) is an abomination. I believe that sacred words demand a certain level of respect, and the way those people are singing sounds affected and erotic. Sorry.

AT THIS POINT, you’re probably saying, “Jeff, instead of being so negative, why don’t you provide us with an inspired setting?” I suppose I owe the reader that, but it’s not easy for me. You see, after a year or so, I always begin to hate my compositions … However, I suppose the Chabanel Psalm from yesterday’s Mass could be considered “not uninspired,” and here’s how it sounds:


Notice I hesitate to call my setting “inspired.” Calling one’s own composition “inspired” sounds so arrogant!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Reform of the Reform Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

No concession should ever be made for the singing of the Exsultet, in whole or in part, in the vernacular.

— ‘Fr. Augustin Bea, S.J. in the years immediately before the Second Vatican Council’

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