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Views from the Choir Loft

Pipe Organ

Veronica Brandt · January 30, 2016

Make a Digital Piano Sound Like an Organ

Nothing beats a real pipe organ, but you may be able to put together a respectable substitute that you can lug into a church in a few bags.

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Fr. David Friel · November 8, 2015

Liturgical Happenings at Notre Dame

Divine Liturgy and a new pipe organ

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Fr. David Friel · March 15, 2015

The Future of the Pipe Organ

“The manifold possibilities of the organ remind us of the immensity and the magnificence of God.” (Pope Benedict XVI)

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Veronica Brandt · January 3, 2015

Easy Organ Hymns for Catholics

There is a built in tendency for nervous musicians to rush things – I think as your heart beats faster, your perception of time is dilated. As you build more confidence your sense of timing improves too.

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Richard J. Clark · October 17, 2014

The Death of a Parish | A Promise of New Life?

One of the most painful spiritual experiences many Catholics suffer is the closure of their parish.

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Richard J. Clark · October 3, 2014

Organists: Know Thy Sheep!

To what extent does the pipe organ’s inclusion as a worship component influence
the quality of your worship experience?

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Richard J. Clark · June 27, 2014

The Thoughts of His Heart

It is striking to even consider that Jesus has his own “thoughts” or “designs” within his own Heart.

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Richard J. Clark · May 9, 2014

The Pipe Organ and Propers Flourish with Vexo and Weismann

While the pipe organ languishes in some places, it flourishes in others. There are three reasons why.

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Richard J. Clark · May 2, 2014

The Pipe Organ in Survival Mode

Organists can no longer take for granted the dominant use—or for that matter, any use of the organ despite anything Sacrosanctum Concilium states.

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Richard J. Clark · March 5, 2014

Misereris omnium | Ash Wednesday Introit

Few parishes are willing to sing Gregorian Introits for the Entrance Procession, but it is SIGNIFICANT that the very first Introit of Lent sings of God’s infinite MERCY.

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Richard J. Clark · January 10, 2014

Improvising – and Praying – on the Propers

A close friend, a priest once told me years ago something I’ve never forgotten. “The people don’t need to know what it is to understand it.” They will understand the prayer interiorly if not in words. Since hearing that, I have always thought it important to play and pray music related to a relevant text.

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President’s Corner

    “Hidden Chant” • For the Ordinary Form

    Not even “GregoBase”—which is incredibly comprehensive—knows that music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • “Hidden Chant” • For the Ordinary Form
  • PDF Download • “Simple Organ Interludes for Use in the Catholic Church” (108 pages)
  • Dr. Tappan in Rome • “Ubi Caritas”
  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL

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