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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Pipe Organ

Veronica Brandt · January 30, 2016

Make a Digital Piano Sound Like an Organ

Nothing beats a real pipe organ, but you may be able to put together a respectable substitute that you can lug into a church in a few bags.

Fr. David Friel · November 8, 2015

Liturgical Happenings at Notre Dame

Divine Liturgy and a new pipe organ

Fr. David Friel · March 15, 2015

The Future of the Pipe Organ

“The manifold possibilities of the organ remind us of the immensity and the magnificence of God.” (Pope Benedict XVI)

Veronica Brandt · January 3, 2015

Easy Organ Hymns for Catholics

There is a built in tendency for nervous musicians to rush things – I think as your heart beats faster, your perception of time is dilated. As you build more confidence your sense of timing improves too.

Richard J. Clark · October 17, 2014

The Death of a Parish | A Promise of New Life?

One of the most painful spiritual experiences many Catholics suffer is the closure of their parish.

Richard J. Clark · October 3, 2014

Organists: Know Thy Sheep!

To what extent does the pipe organ’s inclusion as a worship component influence
the quality of your worship experience?

Richard J. Clark · June 27, 2014

The Thoughts of His Heart

It is striking to even consider that Jesus has his own “thoughts” or “designs” within his own Heart.

Richard J. Clark · May 9, 2014

The Pipe Organ and Propers Flourish with Vexo and Weismann

While the pipe organ languishes in some places, it flourishes in others. There are three reasons why.

Richard J. Clark · May 2, 2014

The Pipe Organ in Survival Mode

Organists can no longer take for granted the dominant use—or for that matter, any use of the organ despite anything Sacrosanctum Concilium states.

Richard J. Clark · March 5, 2014

Misereris omnium | Ash Wednesday Introit

Few parishes are willing to sing Gregorian Introits for the Entrance Procession, but it is SIGNIFICANT that the very first Introit of Lent sings of God’s infinite MERCY.

Richard J. Clark · January 10, 2014

Improvising – and Praying – on the Propers

A close friend, a priest once told me years ago something I’ve never forgotten. “The people don’t need to know what it is to understand it.” They will understand the prayer interiorly if not in words. Since hearing that, I have always thought it important to play and pray music related to a relevant text.

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Corpus Christi Watershed

President’s Corner

    “Lamb of God” (Musical Setting)
    The MASS OF SAINT ANNE LINE has been quite popular ever since ROMAN MISSAL Third Edition was released circa 2011. You can now download the musical score (PDF) for this setting, placed into five (5) different keys; i.e. “pitch levels” that are high and low. This makes it possible to adjust based upon who’s singing at which time of day.
    —Jeff Ostrowski
    PDF Download • Introit (2nd Sn. Ord.)
    This coming Sunday, 18 January 2026, is the 2nd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT is set according to the fourth mode, which sounds ‘serious’ or ‘dark’ or ‘haunting’ or ‘mysterious’—and its English adaptation corresponds to the authentic version (“Omnis terra adóret”) found in the GRADUALE ROMANUM. In this rehearsal video (click here) I attempt to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it, because the harmonies are delightful.
    —Jeff Ostrowski
    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“It is also customary in many lands that a brief but meaningful hymn be sung between the Gospel and the sermon. (I note in passing that this custom also preserves the original and primary function of the medieval congregational hymn, which was to frame the sermon.)”

— Professor László Dobszay (2003)

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • “Information Requested About Hymnals”
  • “Lamb of God” (Musical Setting)
  • “Sacred Music Journal” Editor Sings w/ Our Choir
  • PDF Download • Introit (2nd Sn. Ord.)

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