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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

FSSP Los Angeles New Parish

Corpus Christi Watershed · June 30, 2018

Saint Vitus Roman Catholic Church • Los Angeles, CA

Four (4) Masses each Sunday! Established by Archbishop Gomez as an exclusively Latin Mass Parish for Los Angeles!

Jeff Ostrowski · April 27, 2015

Brave Schola Director Posts “Live” Recording • Part 2

We’re having a lot of fun…is that bad?

Jeff Ostrowski · April 23, 2015

Amazing Opportunity for Los Angeles Catholics

Here’s your chance to meet Fr. John Berg, FSSP Superior General, who’s coming all the way from Switzerland.

Jeff Ostrowski · April 16, 2015

Is This The World’s Greatest Cry Room?

An usher approached me, tapping on my shoulder. This was the last straw.

Jeff Ostrowski · April 7, 2015

Photographs • FSSP Holy Triduum in Los Angeles (2015)

Notice how the priest, dressed in cope, is engulfed in darkness at the beginning of the Easter Vigil—except for candles burning.

Jeff Ostrowski · March 11, 2015

Brief Recording • Newest Choir In Los Angeles

We have been able to establish a choir, even though our FSSP parish is still in its infancy.

Jeff Ostrowski · February 17, 2015

Brave Schola Director Posts “Live” Recording

Last Sunday, I stuck a recording device in my pocket.

Jeff Ostrowski · December 29, 2014

UPDATE * Latin Mass Will Remain In Hollywood

The Ancient Form of Mass will be offered indefinitely at St. Victor Church every Sunday at 7:00pm.

Jeff Ostrowski · December 18, 2014

Solemn High Christmas Midnight Mass • Hollywood

Oh, please help us spread this exciting news!

Jeff Ostrowski · December 13, 2014

Musical Resources • 3rd Sunday of Advent

Including “Creator Alme Siderum” with English Translation by Rev. Adrian Fortescue.

Jeff Ostrowski · December 6, 2014

Musical Resources • 2nd Sunday of Advent

Including scores, audio files, and organ accompaniments.

Jeff Ostrowski · December 5, 2014

Latin Mass In Los Angeles • THIS SUNDAY!

“I’m not one of those Novus Ordo = bad, Tridentine = good people…” —Carlos de Quesado

Jeff Ostrowski · November 26, 2014

Musical Resources • 1st Sunday of Advent

Including scores, audio files, and organ accompaniments.

Jeff Ostrowski · November 2, 2014

Announcement: Solemn High Requiem In Los Angeles On Monday

Traditional Latin Mass at a cemetery in Los Angeles: TOMORROW.

fsspla · November 2, 2014

FSSP Los Angeles • What Is The Table?

This beautiful video explains a “safe place” for Catholics in Los Angeles.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

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