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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Francisco Guerrero Composer

Jeff Ostrowski · June 13, 2025

Luis Martínez Must Go!

This notice shows that in Seville, as elsewhere, polyphonic singers clustered around a large open choirbook set on a stand in the middle of the grilled choir-enclosure.

Jeff Ostrowski · February 28, 2025

Re: “Abuse of Catholic Church Musicians”

Listening to yourself singing isn’t fun—but it’s crucial if you wish to improve.

Jeff Ostrowski · September 27, 2023

(Not Kidding) • Does Singing for Mass Fulfill One’s Obligation to Attend Mass?

Jeff Ostrowski provides five (5) responses to an assertion made by a priest.

Jeff Ostrowski · September 20, 2023

PDF Download • “Glory To God” for Congregation & Choir (Mass of Saint Noël Chabanel)

My setting begins with the entire congregation singing—but the middle section is SATB polyphony.

Jeff Ostrowski · February 4, 2023

Church Music Shouldn’t Be “Headache-Inducing”

Authentic sacred music should attract people. It should not drive them away.

Jeff Ostrowski · September 20, 2022

PDF Download • Brief Polyphonic “Asperges Me” for SATB by Father Guerrero (d. 1599)

Here’s my attempt at recording all the voices myself, to give you a rough idea how it sounds.

Jeff Ostrowski · September 9, 2022

“Defending the English” • Brief Riposte from Uganda

“As for the subject of whether the music of Tallis, Taverner, and Tye was tainted by the reformation, I would agree with Mr. Ostrowski.” —Reader from Uganda

Jeff Ostrowski · August 20, 2022

“New Section 2” • (Piecemeal Agnus Dei)

A wonderful way to get volunteers singing SATB polyphony immediately!

Jeff Ostrowski · June 11, 2022

Composing Your Own Antiphons?

In the days before Vatican II, dioceses had their own special feast days.

Jeff Ostrowski · May 21, 2022

PDF Download • “A Canon Choirs Love!”

You will notice Father Guerrero takes the chant melody (“Beata Mater”) and creates a perfect canon between Soprano and Alto.

Corpus Christi Watershed · May 3, 2022

“Repertoire Page” • Sacred Music Symposium 2022

Sign up today! A few voice parts still have openings.

Jeff Ostrowski · December 21, 2021

“Benedictus” (Missa Iste Sanctus) • All voices recorded by Corrinne May

Vatican II said: “The treasury of sacred music is to be preserved and fostered with great care” (SC §114).

Jeff Ostrowski · November 8, 2021

Missa “My Little Pony” by Dan Schutte • Its Pedigree

A USCCB statement: singing psalms at Mass “may create problems” … ?

Follow the Discussion on Facebook

Jeff Ostrowski · October 13, 2021

Seven Solutions • “Getting Catholics Singing Again”

At the conservatory, we’re surrounded by hundreds of professional musicians; but stepping into a Catholic parish the situation is quite different.

Follow the Discussion on Facebook

Jeff Ostrowski · September 24, 2021

“Easy Polyphonic Agnus Dei” • Part 3 of 3

The ability of your singers to sight-read music instantly does not guarantee a good performance.

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

I basically don’t favor Cardinal Kasper’s proposal; I don’t think it’s coherent. To my mind, “indissoluble” means “unbreakable.”

— Daniel Cardinal DiNardo (19 October 2015)

Recent Posts

  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass
  • Pipe Organ “Answers” in Plainsong?

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