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Corpus Christi Watershed

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Views from the Choir Loft

Dr Scott Hahn

Jeff Ostrowski · March 23, 2026

“Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak

Including a special release—“Rare as a Unicorn”—Pius XII Psalter in Latin and English (1,545 pages).

Veronica Moreno · March 23, 2025

PDF Download • Palestrina “Alleluia” (SATB) for the Ordinary or Extraordinary Form

Last week, a major bombshell was dropped with regard to two major publishing companies of Catholic hymnals.

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Jeff Ostrowski · February 6, 2025

PDF Download • “Communion Refrain” (Polyphony) for Three Voices — with Psalm 117

This injunction from Archbishop Fulton J. Sheen is crucial for artists.

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Jeff Ostrowski · September 30, 2023

Eight (8) Responsorial Psalm Options • On turning Missalettes into little “gods”

They have embraced a certain opinion about matters and will never change—not even on their deathbed.

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Jeff Ostrowski · August 29, 2023

PDF Download • “Alleluia Verse before Gospel” • (Mass in honor of Saint Noël Chabanel)

Instead, Saint Francis knelt down and kissed the priest’s hands…

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Jeff Ostrowski · December 3, 2022

PDF Download • Organ Accompaniment Booklet: Vespers (2nd Sunday of Advent) — 27 pages

Dom Gajard said to Jean Langlais: “Hear the blackbird! It doesn’t know what an ‘ictus’ is, yet it sings better than we.”

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Corpus Christi Watershed · March 4, 2014

Dr. Scott Hahn Visits Cardinal Burke in Rome

“An enjoyable visit this morning with Cardinal Burke, a godly prince-of-a-Prefect (of the Apostolic Signatura) and a friend of many years … God bless our good shepherds!”

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The tradition of Roman documents establishes a clear hierarchy. Gregorian chant has pride of place; classical polyphony has a privileged role. It is because styles carry with them associations and even evoke a place—the style of a Broadway show tune evokes the theater; the style of cocktail music evokes the cocktail bar, yet we hear these styles in church. The priority of sacred styles needs re-emphasis.”

— Dr. William Peter Mahrt

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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