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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archbishop Alexander K Sample

Fr. David Friel · March 10, 2019

Square Notes: The Sacred Music Podcast

Dedicated to exploring the teaching and vision of the Church on the topic of liturgical music

Richard J. Clark · January 25, 2019

Just Released! • 2019 Pastoral Letter on Sacred Music (Archbishop Sample)

“Every pastor and music director has a serious responsibility to read and become familiar with the ‘Constitution on the Sacred Liturgy…” —Archbishop Sample

Fr. David Friel · November 18, 2018

Portland Publishes an “Archdiocesan Liturgical Handbook”

New publication from Archbishop Sample’s Office of Divine Worship

Jeff Ostrowski · April 29, 2018

Yesterday’s Solemn Mass Was An Inflection Point

Consider three (3) clerics who took part in this Solemn Mass at the National Shrine

Andrew Leung · September 28, 2017

Video • All Priests Should Learn Traditional Latin Mass

An interview with Archbishop Alexander Sample of Portland, Oregon.

Fr. David Friel · April 12, 2015

Sacra Liturgia USA 2015

An International Conference on Liturgical Formation in Light of the New Evangelization

Gwyneth Holston · June 23, 2014

Archbishop Sample’s Letter On Sacred Music (8 of 8)

Eagerly awaiting a Pastoral Letter on Sacred Art in Divine Worship.

Follow the Discussion on Facebook

Fr. David Friel · June 22, 2014

Archbishop Sample’s Letter On Sacred Music (7 of 8)

May the Archbishop’s reflections & exhortations bear fruit in practical renewal!

Richard J. Clark · June 20, 2014

Archbishop Sample’s Letter on Sacred Music (5 of 8)

The biggest problem in Roman Catholic liturgical music is the prevailing misunderstanding of its very purpose.

Dr. Peter Kwasniewski · June 19, 2014

Archbishop Sample’s Letter On Sacred Music (4 of 8)

“Everything in God’s good creation is hierarchically ordered, and the virtue of each part is to belong to the whole in the right way…”

Andrew R. Motyka · June 18, 2014

Archbishop Sample’s Letter On Sacred Music (3 of 8)

We need to avoid profanity “not only in itself, but in the manner in which it is presented by those who execute it.”

Aurelio Porfiri · June 17, 2014

Archbishop Sample’s Letter On Sacred Music (2 of 8)

Most bishops will talk about everything from global warming to the latest cure for cholesterol, but they leave the issue of liturgical music to priests who think that saving people means dying with them…

Jeff Ostrowski · June 16, 2014

Archbishop Sample’s Letter On Sacred Music (1 of 8)

We’ve teamed up to create an 8-part series on Archbishop Sample’s momentous 2013 letter. Today, Jeff Ostrowski introduces the series.

Corpus Christi Watershed · June 8, 2013

Alexander K. Sample, Archbishop of Portland

“The GLORIA of the Mass set to a Polka beat or in the style of rock music is not sacred music.” — Most Reverend Alexander Sample, Archbishop of Portland

Aristotle A. Esguerra · February 18, 2013

First Impressions of Bishop Sample’s Pastoral Letter on Sacred Music

A bishop issues diocesan-wide directives on the role of music in the liturgy. A look at some of the more noteworthy instructions.

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Corpus Christi Watershed

President’s Corner

    Job Opening • $65,000 per year +
    A parish 15 minutes away from me is looking for a choir director and organist. The parish is filled with young families. When I began my career, I would have jumped at such an opportunity! Saint Patrick’s in Grand Haven has a job opening for a music director paying $65,000 per year including benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” I lived in Kansas for 15 years, Texas for 10 years, and Los Angeles for 10 years. Michigan is the closest place I know to heaven!
    —Jeff Ostrowski
    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“I love them that love me: and they that in the morning early watch for me shall find me.”

— Proverbs 8

Recent Posts

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  • Job Opening • $65,000 per year +
  • “Reminder” — Month of November (2025)
  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”

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