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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archbishop Alexander K Sample

Fr. David Friel · March 10, 2019

Square Notes: The Sacred Music Podcast

Dedicated to exploring the teaching and vision of the Church on the topic of liturgical music

Richard J. Clark · January 25, 2019

Just Released! • 2019 Pastoral Letter on Sacred Music (Archbishop Sample)

“Every pastor and music director has a serious responsibility to read and become familiar with the ‘Constitution on the Sacred Liturgy…” —Archbishop Sample

Fr. David Friel · November 18, 2018

Portland Publishes an “Archdiocesan Liturgical Handbook”

New publication from Archbishop Sample’s Office of Divine Worship

Jeff Ostrowski · April 29, 2018

Yesterday’s Solemn Mass Was An Inflection Point

Consider three (3) clerics who took part in this Solemn Mass at the National Shrine

Andrew Leung · September 28, 2017

Video • All Priests Should Learn Traditional Latin Mass

An interview with Archbishop Alexander Sample of Portland, Oregon.

Fr. David Friel · April 12, 2015

Sacra Liturgia USA 2015

An International Conference on Liturgical Formation in Light of the New Evangelization

Gwyneth Holston · June 23, 2014

Archbishop Sample’s Letter On Sacred Music (8 of 8)

Eagerly awaiting a Pastoral Letter on Sacred Art in Divine Worship.

Follow the Discussion on Facebook

Fr. David Friel · June 22, 2014

Archbishop Sample’s Letter On Sacred Music (7 of 8)

May the Archbishop’s reflections & exhortations bear fruit in practical renewal!

Richard J. Clark · June 20, 2014

Archbishop Sample’s Letter on Sacred Music (5 of 8)

The biggest problem in Roman Catholic liturgical music is the prevailing misunderstanding of its very purpose.

Dr. Peter Kwasniewski · June 19, 2014

Archbishop Sample’s Letter On Sacred Music (4 of 8)

“Everything in God’s good creation is hierarchically ordered, and the virtue of each part is to belong to the whole in the right way…”

Andrew R. Motyka · June 18, 2014

Archbishop Sample’s Letter On Sacred Music (3 of 8)

We need to avoid profanity “not only in itself, but in the manner in which it is presented by those who execute it.”

Aurelio Porfiri · June 17, 2014

Archbishop Sample’s Letter On Sacred Music (2 of 8)

Most bishops will talk about everything from global warming to the latest cure for cholesterol, but they leave the issue of liturgical music to priests who think that saving people means dying with them…

Jeff Ostrowski · June 16, 2014

Archbishop Sample’s Letter On Sacred Music (1 of 8)

We’ve teamed up to create an 8-part series on Archbishop Sample’s momentous 2013 letter. Today, Jeff Ostrowski introduces the series.

Corpus Christi Watershed · June 8, 2013

Alexander K. Sample, Archbishop of Portland

“The GLORIA of the Mass set to a Polka beat or in the style of rock music is not sacred music.” — Most Reverend Alexander Sample, Archbishop of Portland

Aristotle A. Esguerra · February 18, 2013

First Impressions of Bishop Sample’s Pastoral Letter on Sacred Music

A bishop issues diocesan-wide directives on the role of music in the liturgy. A look at some of the more noteworthy instructions.

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The training in singing, to sing in a chorus, is not only an exercise of external listening and of the voice; it is also training for interior listening, listening with the heart, an exercise in training for life and for peace.”

— Pope Benedict XVI

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