• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
    • My Account
    • “Receipts + Invoices” (Subscribers)
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
    • “Participation” (12 pages)
    • “Choirmaster’s Decalogue” (10 points)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • Feasts Website
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
  • Donate
  • Cart
Views from the Choir Loft

Biography • Jeffrey M. Ostrowski

Jeff Ostrowski · December 24, 2012

EFFREY M. OSTROWSKI holds his B.M. in Music Theory from the University of Kansas (2004) and has done graduate work in the fields of Musicology and Education. In February of 2011, Mr. Ostrowski was elected President of Watershed. His scholarship has focused on the historical performance of plainsong and polyphony of the High Renaissance, resulting in several early music CDs and an internationally broadcast television documentary. In 2002, he became the first to produce a compact disc using “multi-track” recordings for Renaissance polyphony. He has been frequently chosen as presenter for national musica sacra gatherings. He founded—and still oversees—the Sacred Music Symposium, which promotes authentic church music at the grass roots level.

Although Mr. Ostrowski does not consider himself an author, his articles have appeared in a variety of publications: Homiletic & Pastoral Review (Ignatius Press); Sacred Music Journal (Church Music Association of America); The Catholic Exchange; New Liturgical Movement; Liturgical Arts Journal; Adoremus Bulletin; and so forth. While serving as adjunct choirmaster at CORPUS CHRISTI CATHEDRAL, he played the pipe organ on television more than a hundred times.

*  Publicity Photo • JEFF OSTROWSKI (2017)
*  Publicity Photo • JEFF OSTROWSKI (2018)
*  Publicity Photo • JEFF OSTROWSKI (2023)

For ten years, Mr. Ostrowski served as choirmaster for the new FSSP Apostolate in Los Angeles, CA. In 2024, he accepted a position as choirmaster at the church of Saint Mary in Michigan, where he lives with his wife and children. In the past, he has directed the Cristóbal de Morales Consortium, Corpus Christi Cathedral Schola Cantorum, and a high school choral program. He assisted in the production of the Brébeuf Hymnal and Jogues Missal. Known across the globe as a composer, before he had reached the age of 30, Mr. Ostrowski’s compositions had already been sung by distinguished choirs—e.g. the resident choir of the New York Philharmonic—as well as for Masses in major churches such as Saint Peter’s Basilica (Vatican City). 1


NOTES FROM THIS ARTICLE:

1 Mr. Ostrowski also publishes many of his works under a pen name which will be revealed someday.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Biographies Tagged With: Jeff Ostrowski, Jeffrey Ostrowski Biography Last Updated: August 20, 2026

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower
  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (818) 279-5852
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”