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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Quick Thoughts

Corpus Christi Watershed · November 1, 2025

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity”…

Jeff Ostrowski · October 24, 2025

“Our Father” • Musical Setting?

Do any readers speak German?

Jeff Ostrowski · October 6, 2025

New Bulletin Article • “12 October 2025”

Those responsible for preparing parish bulletins may wish to…

Jeff Ostrowski · October 4, 2025

“American Catholic Hymnal” (1991)

This one book contains and memorializes every horrible idea from the 1980s.

Jeff Ostrowski · September 24, 2025

“Canonic” • Ralph Vaughan Williams

This is quite a clever arrangement of “Come down, O love divine.”

Jeff Ostrowski · September 22, 2025

Did they simplify these hymn harmonies?

Looking through a (Roman Catholic) German hymnal printed in 1952…

Jeff Ostrowski · September 21, 2025

PDF Download • “Side-By-Side Comparison”

Re: the special hymn for the upcoming feast (9 November).

Corpus Christi Watershed · September 7, 2025

Karl Keating • “Canonization Questions”

Mr. Keating is incorrect; e.g. Saint John Vianney, several centuries ago, taught clearly that canonizations are not infallible.

Corpus Christi Watershed · September 6, 2025

Vatican II Changed Wedding Propers?

This myth is quite pervasive.

Corpus Christi Watershed · August 14, 2025

Solemn “Salve Regina” (Chant)

The Schwann edition is on 4 lines, the version by Dr. Weinmann is on 5.

Corpus Christi Watershed · June 13, 2025

Pope Pius XII Hymnal?

This extremely rare hymnal was published in 1959.

Corpus Christi Watershed · June 11, 2025

“Hybrid” Chant Notation?

See whether you agree that Father Weinmann made matters worse.

Corpus Christi Watershed · May 1, 2025

Antiphons Don’t Match?

The short answer is: the “Adalbert Propers” were never intended to be sung.

Veronica Brandt · April 1, 2025

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass…

Daniel Tucker · February 20, 2025

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, […]

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Easter Hymn)
    Number 36 in the Brébeuf Hymnal is “At the Lamb’s high feast we sing,” an English translation for Ad Cenam Agni Próvidi (which was called “Ad Régias Agni Dapes” starting 1631). As of this morning, you can download a simplified keyboard accompaniment for it. Simple click here and scroll to the bottom. Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult—which explains why choirmasters appreciate these simplified keyboard accompaniments. Sadly, many readers will click that link but forget to scroll to the bottom where the simplified PDF file is located.
    —Jeff Ostrowski
    PDF Download • “Quasi Modo Sunday”
    The Introit for “Quasi Modo Sunday” (12 April 2026) is particularly beautiful. The musical score can be downloaded as a PDF file, and so can the organ accompaniment. The official language of the Catholic Church is Latin (whereas Greek is our mother tongue). Vatican II said Gregorian Chant must be given “first place” under normal circumstances. As a result, some parishes will rightly sing the authentic version. On the other hand, because so many USA dioceses disobey the mandate of Vatican II, some musicians sing plainsong in the vernacular. I have attempted to simultaneously accompany myself on the pipe organ while singing the English version. Although very few take advantage of it, the complete Proprium Missae is posted at the flourishing feasts website.
    —Jeff Ostrowski
    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest. Notice they also added a ‘tailpiece’ or ‘playout’ or postlude at the end—a very German thing to do!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

Recent Posts

  • PDF Download • “Anima Christi”
  • PDF Download • “Rarer Than a Blue Moon” — Side-by-Side English Translation (Pius XII Psalter)
  • Fulton J. Sheen • “24-Hour Catechism”
  • Simplified Accompaniment (Easter Hymn)
  • PDF Download • “Quasi Modo Sunday”

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