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Corpus Christi Watershed

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Views from the Choir Loft

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Jeff Ostrowski · October 20, 2025

(Part 2) • Did they simplify this hymn?

Looking through a (Roman Catholic) German hymnal printed in 1929…

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Corpus Christi Watershed · October 20, 2025

PDF • “Lectionary Comparison Chart”

Such tinkering has gone on for 60+ years, and it’s reprehensible.

Jeff Ostrowski · October 20, 2025

“Can Choral Music Survive?” • 3 Reasons It Will

You may think I’m crazy, but I have a belief when it comes to choral music.

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Jeff Ostrowski · October 18, 2025

“Music List” • 29th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Keven Smith · October 14, 2025

Children’s Repertoire • Three More Recommendations by Keven Smith

Don’t give up. Your work with young singers today will continue to bear fruit for decades after you die.

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Jeff Ostrowski · October 14, 2025

Liturgical Round (“Canon”) in C-Major

I have provided an accompaniment, but it’s only for use during rehearsal.

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Jeff Ostrowski · October 14, 2025

PDF Download • Liturgical Round (“Canon”) for your Children’s Choir

An example that’s truly great art, yet still within their reach.

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Corpus Christi Watershed · October 13, 2025

Latin Liturgy Association

The newsletter of the “Latin Liturgy Association” is definitely something worth looking at!

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Jeff Ostrowski · October 11, 2025

“Music List” • 28th in Ordinary Time (Year C)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Mark Haas · October 10, 2025

Every Diocesan Music Commission Should Do This

“To assist this process, I have compiled links to the documents…” —Mark Haas

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Jeff Ostrowski · October 9, 2025

PDF Download • “Offertory” for this Sunday

Anyone know why the Book of Esther was chosen? That same section of Esther was chosen for last Sunday’s Introit.

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Jeff Ostrowski · October 8, 2025

Why A “Fugue” Here?

I think you will agree about this.

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Daniel Marshall · October 7, 2025

“Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

Ever wonder why the Church is so particular about sacred music? There’s more at stake than you think.

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Jeff Ostrowski · October 4, 2025

“American Catholic Hymnal” (1991)

This one book contains and memorializes every horrible idea from the 1980s.

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Jeff Ostrowski · October 4, 2025

Involving Women in the Communion?

Not long ago, I received a weird telephone call from a man appointed “director of music” for a large USA diocese.

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Corpus Christi Watershed

President’s Corner

    PDF • “Singers’ Booklet” (22 Pages)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski
    Twenty-Two (22) English Translations
    We gathered every English translation of “Creátor Alme Síderum” ever made by Catholic poets, priests, bishops, cardinals, and saints (22 in all). Click this link to see them displayed, placed directly alongside the original Latin. Some are strikingly beautiful (e.g. “Great Maker of the glitt’ring stars”) and together they trace the hymn back to the ancient “Cónditor Alme Síderum,” which POPE URBAN VIII reworked in 1632AD.
    —Jeff Ostrowski
    Stained Glass Window • Father Brébeuf
    Saint John de Brébeuf was one of the North American Martyrs. The photograph of a gorgeous stained glass window depicting Father Brébeuf was sent to us by Courtney Roberson. Father Brébeuf and his companions were canonized by Pope Pius XI on 29 June 1930. We are told this window is found in the Cathedral of Peoria, Illinois.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

It is necessary to address Bishop Trautman’s statement that “recent directives of the Congregation aimed at ICEL’s work appear to require a word-for-word, syntax-for-syntax correspondence between the Latin and the English texts.” I am happy to clarify that this certainly is not the intention of the Congregation, since the successful translation of the liturgical texts cannot be achieved by such a wooden mechanism.

— Jorge Cardinal Medina Estévez (13 May 2000)

Recent Posts

  • “Ad Orientem” • Six (6) Post-Conciliar Quotes
  • PDF • “Singers’ Booklet” (22 Pages)
  • Twenty-Two (22) English Translations
  • “Creátor Alme Síderum” • Twenty-Two (22) English Translations by Catholic Priests and Archbishops!
  • “Gregorian Chant Rhythm” • Recorded Conversation with Dr. Horst Buchholz Re: Rhythmic Markings

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