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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

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Jeff Ostrowski · September 12, 2024

Music List • (24th Sund. Ordinary Time)

Readers have expressed interest in looking over the “music list” I have prepared for this coming Sunday.

Jeff Ostrowski · September 11, 2024

Musical Setting • “Confíteor Déo Omnipoténti”

The participants went nuts over this musical setting. They just couldn’t get enough of it!

Corpus Christi Watershed · September 11, 2024

Desperate Appeal • (11-Sep-2024)

On 11 September 2024, the president of CCWatershed released…

Jeff Ostrowski · September 10, 2024

PDF Download • “Entrance Chant” for the 24th Sunday in Ordinary Time (Plainchant in English)

Today I discuss a myth about accompanying plainsong on the pipe organ.

Jeff Ostrowski · September 6, 2024

“Spanish Entrance Hymn” • (You Might Enjoy This)

Javier R. wrote to us: “One thing that caught my eye—and which I’ve been wrestling with—is how to fit Hymns with Antiphons, especially during the entrance procession.”

Jeff Ostrowski · August 31, 2024

Musical Lineup • (22nd Sund. Ordinary Time)

Jeff’s musical lineup for Sunday, 1 September 2024.

Jeff Ostrowski · August 30, 2024

PDF • “Lamb of God” Harmonization

Harmonized—and carefully notated—in Spanish, English, and Latin.

Jeff Ostrowski · August 30, 2024

Leaked Document! • Comparison Chart—New Responsorial Psalms (“Abbey Psalms & Canticles”)

The NAB tried to use “overly casual” language—and the results are often an abomination.

Jeff Ostrowski · August 29, 2024

“3-Voice Arrangement” (SAB) • Psalm 26

Fabulous rehearsal videos have been created for you.

Jeff Ostrowski · August 28, 2024

PDF Download • Seasonal (“Ad Libitum”) Gospel Acclamations for Sundays and Weekdays

The various options given here by the official 1970 Missal can be used during the week (or on any Sunday).

Jeff Ostrowski · August 27, 2024

When Teaching a Polyphony for the First Time, Use This Three-Voice Piece

The Solfège has already been added, and we made magnificent rehearsal videos for you!

Jeff Ostrowski · August 22, 2024

The Very Least We Can Do!

Today I must ask the infamous question… (ducks)

Jeff Ostrowski · August 20, 2024

“The Very Best 42 Seconds of Gregorian Chant”

Fulton J. Sheen, Saint John Mary Vianney, and more!

Jeff Ostrowski · August 19, 2024

“Our Father” • (Arr. for 3 Voices)

This tune has many names such as “Psalm 112” and “Old Hundred Twelfth.”

Jeff Ostrowski · August 17, 2024

Music List • (20th Sund. Ordinary Time)

This coming Sunday is 18 August 2024.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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