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Corpus Christi Watershed

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Views from the Choir Loft

Featured

Jeff Ostrowski · March 31, 2020

Going Beyond Archbishop Fulton Sheen’s “Take”

Sheen has sometimes been criticized for avoiding mention of the sacred liturgy during his talks, but I cannot agree with such a view. • Includes about the Holy Eucharist, including a quote by Father Leslie Rumble and a quote from Pope Pius X+

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Fr. David Friel · March 22, 2020

“Separated from the Sacraments” • Stories from Walter Ciszek, SJ

A missionary in Soviet Russia, Fr. Ciszek learned the spirituality of surrender through tremendous suffering.

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Veronica Brandt · March 13, 2020

Stella Caeli – a hymn against pestilence

Veronica Brandt has posted a beautiful antiphon reputed to keep the plague away; updated to correct a semitone variance in the first copy she made • The Cantuale Romano-Seraphicum from 1951 is mentioned • Free download of “Stella Caeli” along with the Litany of Our Lady+

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Jeff Ostrowski · January 23, 2020

Extremely Rare! • 1908 Solesmes Graduale (PDF Download)

I’ve been searching for this book for twenty years! • For the first time in history, the Graduale Romanum from 1908 (with Solesmes rhythmic markings) has been scanned and uploaded • Includes copious and detailed information about the rhythm of the Editio Vaticana (“Vatican Edition”) you won’t find anywhere else+

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Jeff Ostrowski · January 21, 2020

PDF Download • “Lucis Creator Optime” (Vespers Hymn)

I followed the “Brébeuf hymnal method,” in which every verse is written out…

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Jeff Ostrowski · September 24, 2019

Brébeuf Review! • “Society for Catholic Liturgy”

“The editors of the Brébeuf Hymnal have done a great service to the profession.” —Aaron James, Ph.D.

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Jeff Ostrowski · September 7, 2019

Revealed! • A Fascinating Mass Rubric Very Few Know

“How surprised people would be next Sunday to see the direction being carried out!” —1943 article

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Jeff Ostrowski · September 3, 2019

The 1961 Code of Rubrics • Pope St. John XXIII

I would not argue with someone who called this document curious, or even bizarre; it was only in effect for a few years • Also: “Should the Sanctus and Benedictus be split in the Traditional Latin Mass?” • This “Extraordinary Form” question is treated meticulously with full documentation going back 150 years+

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Jeff Ostrowski · July 9, 2019

Hymn Harmony: Fifty Examples—Good and Bad!

We will not be considering musically absurd examples from the past.

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Jeff Ostrowski · May 29, 2019

What Makes A “Catholic” Hymnal?

I find the following pairings reprehensible…

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Jeff Ostrowski · May 17, 2019

PDF Download • Franz Liszt and Gregorian Chant

Many would ask: “What is the purpose of posting such books? Are we supposed to sing from them?” • It turns out, these editions help us understand the journey of Franz Liszt to understand Gregorian modality.

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Jeff Ostrowski · January 14, 2019

“Church Music Manifesto” (2019)

Mass should be a peaceful experience for the congregation, not an opportunity to be harassed.

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Veronica Brandt · December 1, 2018

PDF Download • “Easy Organ Interludes” (229 pages)

Giovanni Battista Fasolo published an enormous book of organ interludes without pedals • Pierre Gouin typed them up, bringing you this clear window into renaissance liturgical music for free! • Enjoy this treasure trove of organ music from almost 400 years ago! Plus a few highlights from along the way+

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Jeff Ostrowski · May 16, 2018

“Outer Space Hymn” (1966) • In A Catholic Hymnal

Discussion of horrible things that have (sadly) appeared in Catholic hymnals, such as: “And as we float along through outer space, | Past galaxies aglow in dark’s embrace, | Toward other worlds where brothers may await, | Do care for us now in our weightless state.” (Imprimatur 1966)+

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Jeff Ostrowski · February 19, 2018

Rare Lenten Hymns You’ve Not Sung

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Fr. Fortescue

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Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

[to the executioner] Sir Thomas More: “I forgive you right readily.” [gives him a coin] “Be not afraid of your office; you send me to God.” Archbishop Cranmer: “You’re very sure of that, Sir Thomas?” More: “He will not refuse one who is so blithe to go to him.” [kneeling, he places his head on the chopping block]

— From “A Man for All Seasons” (1960 play by Robert Bolt)

Recent Posts

  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”

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