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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · April 14, 2021

10 Examples • “Diversity of Musical Styles” at the Traditional Latin Mass

Ten ways to make your musical selections during Mass a delight for all present.

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Jeff Ostrowski · April 6, 2021

PDF Download • “Sanctus for Three Voices” (Soprano, Alto, and Bass)

Can Gregorian Chant be harmonized? Does it work? Monsignor Jules Vyverman demonstrates for us!

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Jeff Ostrowski · April 6, 2021

Live Recording • “Jesus My Lord, My God, My All”

Vernacular hymns at Communion during EF High Mass—your thoughts?

Jeff Ostrowski · February 28, 2021

(Screenshots) • Proving Holy Saturday Took Place In The Morning

Five reasons keeping Holy Saturday in the morning is a good idea.

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Jeff Ostrowski · January 23, 2021

Glaring Omission from Post-Vatican II Lectionary

In the 1980s, Father Valentine wrote to a Vatican Congregation in Rome about this omission. It still hasn’t been fixed.

Jeff Ostrowski · January 5, 2021

PDF Download • “Essential Liturgical Chart”

I’ve never spent as much time creating a Liturgical Chart as I did for this one.

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Jeff Ostrowski · December 8, 2020

Gregorian Chant • “How To Sing The Repercussion” (such as: Bistropha, Tristropha, etc.)

Each monastery had its own particular way of singing plainsong.

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Jeff Ostrowski · November 25, 2020

Feast of the Holy Family • Where did it come from?

The Consilium asked (15 March 1965): “Is it pleasing that the feast of the Holy Family be suppressed?” • Discussion of the First Sunday After Epiphany; the Feast of the Holy Name; the Feast of the Baptism of the Lord; the two (2) instances of different “Jubilate Deo” Offertories which repeat; “Abhinc Duos Annos” (23 October 1913); and many other items+

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Jeff Ostrowski · November 19, 2020

PDF Download • Several Useful Plainsong Books

“Variae Preces” (1892) — “Cantus Varii” (1902) — “Cantus Varii” (1928) — “Cantus Selecti” (1957)

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Jeff Ostrowski · November 11, 2020

Should Hymn Lyrics Be Inordinately Archaic?

The question of “Thee, Thy, Thou, Thine” • Speaks about whether referring to the “original version” of a hymn text makes sense • Treatment of the beautiful hymn melody called “Lafitau” and a harmonization by Claude Goudimel (d. 1572) with the melody placed into the Tenor voice+

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Jeff Ostrowski · November 9, 2020

Catholic Artists and “Self Hatred”

Sviatoslav Richter couldn’t function—much less perform—unless he carried around his pink, plastic lobster for comfort • Have you ever become discouraged about your abilities? Have you ever felt contempt for your early artistic creations? Typos from beautiful books are included in this reflection+

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Jeff Ostrowski · November 5, 2020

“Christ as Creator” • Remarkable Findings in Ancient Hymns !

Archbishop Sheen immediately replied: “Then I didn’t explain it correctly, because it should be a mystery” • Including Rex Sempiterne Caelitum, Jesu Nostra Redemptio, Vexilla Regis Prodeunt, Auctor Beate Saeculi, A Solis Ortus Cardine, Jesu Redemptor Omnium, Conditor Alme Siderum, Corde Natus Ex Parentis, Pange Lingua Gloriosi, Veni Creator Spiritus, and more!

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Andrea Leal · October 29, 2020

PDF Download • Rare 1970 Document Explains “Spoken vs. Sung Propers”

This is perhaps the single most significant liturgical document CCWatershed has ever unearthed—and translated to English! • Explains the origin of “Gradual Antiphons” vs. “Missal Antiphons” (a.k.a. “Sacramentary Antiphons”)+

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Jeff Ostrowski · October 27, 2020

ICEL added “Died” to the Nicene Creed • (I am not kidding!)

I bet you never noticed this, but here’s the proof! • Believe it or not, the Nicene Creed never says Our Lord “died,” and this article provides full documentation; also included are beautiful manuscript images from the greatest Dutch illuminated manuscript in the world: Catherine of Cleves Hours (15th century MS.)+

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Keven Smith · October 20, 2020

Helping “Tone-Deaf” Men Match Pitch

(Keven Smith) • Ever had a man express interest in your choir, only to discover that he has trouble matching pitch? You may just need to unlock his high range. Here’s how I’d approach the situation • James C. McKinney is mentioned+

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)

Recent Posts

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  • Good Friday Flowers
  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation

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