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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · April 14, 2021

10 Examples • “Diversity of Musical Styles” at the Traditional Latin Mass

Ten ways to make your musical selections during Mass a delight for all present.

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Jeff Ostrowski · April 6, 2021

PDF Download • “Sanctus for Three Voices” (Soprano, Alto, and Bass)

Can Gregorian Chant be harmonized? Does it work? Monsignor Jules Vyverman demonstrates for us!

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Jeff Ostrowski · April 6, 2021

Live Recording • “Jesus My Lord, My God, My All”

Vernacular hymns at Communion during EF High Mass—your thoughts?

Jeff Ostrowski · February 28, 2021

(Screenshots) • Proving Holy Saturday Took Place In The Morning

Five reasons keeping Holy Saturday in the morning is a good idea.

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Jeff Ostrowski · January 23, 2021

Glaring Omission from Post-Vatican II Lectionary

In the 1980s, Father Valentine wrote to a Vatican Congregation in Rome about this omission. It still hasn’t been fixed.

Jeff Ostrowski · January 5, 2021

PDF Download • “Essential Liturgical Chart”

I’ve never spent as much time creating a Liturgical Chart as I did for this one.

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Jeff Ostrowski · December 8, 2020

Gregorian Chant • “How To Sing The Repercussion” (such as: Bistropha, Tristropha, etc.)

Each monastery had its own particular way of singing plainsong.

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Jeff Ostrowski · November 25, 2020

Feast of the Holy Family • Where did it come from?

The Consilium asked (15 March 1965): “Is it pleasing that the feast of the Holy Family be suppressed?” • Discussion of the First Sunday After Epiphany; the Feast of the Holy Name; the Feast of the Baptism of the Lord; the two (2) instances of different “Jubilate Deo” Offertories which repeat; “Abhinc Duos Annos” (23 October 1913); and many other items+

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Jeff Ostrowski · November 19, 2020

PDF Download • Several Useful Plainsong Books

“Variae Preces” (1892) — “Cantus Varii” (1902) — “Cantus Varii” (1928) — “Cantus Selecti” (1957)

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Jeff Ostrowski · November 11, 2020

Should Hymn Lyrics Be Inordinately Archaic?

The question of “Thee, Thy, Thou, Thine” • Speaks about whether referring to the “original version” of a hymn text makes sense • Treatment of the beautiful hymn melody called “Lafitau” and a harmonization by Claude Goudimel (d. 1572) with the melody placed into the Tenor voice+

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Jeff Ostrowski · November 9, 2020

Catholic Artists and “Self Hatred”

Sviatoslav Richter couldn’t function—much less perform—unless he carried around his pink, plastic lobster for comfort • Have you ever become discouraged about your abilities? Have you ever felt contempt for your early artistic creations? Typos from beautiful books are included in this reflection+

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Jeff Ostrowski · November 5, 2020

“Christ as Creator” • Remarkable Findings in Ancient Hymns !

Archbishop Sheen immediately replied: “Then I didn’t explain it correctly, because it should be a mystery” • Including Rex Sempiterne Caelitum, Jesu Nostra Redemptio, Vexilla Regis Prodeunt, Auctor Beate Saeculi, A Solis Ortus Cardine, Jesu Redemptor Omnium, Conditor Alme Siderum, Corde Natus Ex Parentis, Pange Lingua Gloriosi, Veni Creator Spiritus, and more!

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Andrea Leal · October 29, 2020

PDF Download • Rare 1970 Document Explains “Spoken vs. Sung Propers”

This is perhaps the single most significant liturgical document CCWatershed has ever unearthed—and translated to English! • Explains the origin of “Gradual Antiphons” vs. “Missal Antiphons” (a.k.a. “Sacramentary Antiphons”)+

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Jeff Ostrowski · October 27, 2020

ICEL added “Died” to the Nicene Creed • (I am not kidding!)

I bet you never noticed this, but here’s the proof! • Believe it or not, the Nicene Creed never says Our Lord “died,” and this article provides full documentation; also included are beautiful manuscript images from the greatest Dutch illuminated manuscript in the world: Catherine of Cleves Hours (15th century MS.)+

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Keven Smith · October 20, 2020

Helping “Tone-Deaf” Men Match Pitch

(Keven Smith) • Ever had a man express interest in your choir, only to discover that he has trouble matching pitch? You may just need to unlock his high range. Here’s how I’d approach the situation • James C. McKinney is mentioned+

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Corpus Christi Watershed

President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

In the place of liturgy as the fruit of development came fabricated liturgy. We abandoned the organic, living process of growth and development over centuries, and replaced it—as in a manufacturing process—with a fabrication, a banal on-the-spot product.

— ‘Pope Benedict XVI, describing the postconciliar liturgical reforms’

Recent Posts

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  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?
  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy

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