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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · February 4, 2021

Ben Shapiro Teaches His Audience Music Theory!

Also included: “Can amateurs sing polyphony?”

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Keven Smith · February 1, 2021

Looking for a Good Lenten Devotion? Try the Seven Sorrows Rosary

Learn about the amazing promises attached to this venerable devotion.

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Jeff Ostrowski · January 31, 2021

“Homily for Septuagesima Sunday” (EF) • Father Valentine Young, OFM

I don’t know whether all of you will agree with me when I say: “life is not fair”—but I would imagine older people would agree.

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Dr. Charles Weaver · January 31, 2021

A Lesson in Chant from the Late Fr. Foster

My personal encounter with him left a strong impression, which I will share here.

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Fr. David Friel · January 27, 2021

Music Conference at the Vatican

The theme for this virtual conference will be “Church and Music: Texts and Contexts”

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Veronica Brandt · January 26, 2021

Alleluia, Dulce Carmen – sing it while you can!

A hymn for the last week before Septuagesima, or in the weeks leading up to Lent. Squeeze in all the Alleluias you can before they’re put on ice.

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Keven Smith · January 25, 2021

Quick Vocal Tip: Breathe on Cutoffs

This simple breathing hack could bring new life to your choir’s sound.

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Fr. David Friel · January 24, 2021

Making Sacraments Available amidst Adversity

WWII Chaplain recognized for his heroic ministry after the sinking of the USS Indianapolis

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Jeff Ostrowski · January 23, 2021

Glaring Omission from Post-Vatican II Lectionary

In the 1980s, Father Valentine wrote to a Vatican Congregation in Rome about this omission. It still hasn’t been fixed.

Jeff Ostrowski · January 21, 2021

(Ladies Singing Low) • “Adding Fifths Above”

Under Covid-19, certain “pre-conciliar” practices have been mandated by the same bishops who previously declared such things to be evil.

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Jeff Ostrowski · January 19, 2021

PDF Download • “Mass Propers For Sundays And Holydays Set To Simple Melodies” (429 pages)

In 1947, this book was given a double “Imprimatur” by Cardinal Spellman, Archbishop of New York.

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Keven Smith · January 18, 2021

Hidden Gem: Salvum Fac Populum Tuum (Bruckner)

This little-known, accessible motet could serve as your choir’s introduction to the thrilling sonic world of Anton Bruckner.

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Richard J. Clark · January 18, 2021

Landmark Documentary on the Renewal of Sacred Music

A documentary on the work of Paul Jerberg — one of the most important voices on sacred music in the Church today

Fr. David Friel · January 16, 2021

Thou Hast Saved the Good Wine until Now

Reflections on the communion chant for the Second Sunday after Epiphany

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Jeff Ostrowski · January 13, 2021

“Homily for the 2nd Sunday after Epiphany” (EF) • Father Valentine Young, OFM

Why have I been so blessed, and spared such hardships?

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“Johann Baptist Singenberger (d. 1924) held in trust a letter from Pius X giving him permission to use men and women in his festival choirs. He neither published it nor used it, lest he embarrass the Holy Father.”

— Monsignor Francis P. Schmitt (August 1957)

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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