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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Articles

Richard J. Clark · December 15, 2020

Saint Paul’s Choir School Presents “Starry Night: Christmas in Harvard Square”

A beacon of light in a dark time, the Saint Paul’s Choir of Men and Boys presents “Starry Night: Christmas in Harvard Square”

Keven Smith · December 14, 2020

How to Help Children Match Pitch (part III)

Three more tips on what to do and how to act with your young music students. Learn the secret ingredient of success!

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Jeff Ostrowski · December 13, 2020

“Rorate Mass” (FSSP) • 12 December 2020

Attendance was standing room only. Afterwards, the children presented roses to Mary—as the entire parish prayed the Rosary—and then we consecrated California to Jesus Christ.

Jeff Ostrowski · December 12, 2020

“Homily — 3rd Sunday of Advent, Year B” • Father Valentine Young, OFM

As the Gloria during Mass suggests, we should “thank Him simply because of His great glory.” When is the last time you did that?

Richard J. Clark · December 11, 2020

Safety in Music is a Pro-Life Issue

Updated music protocols in the Archdiocese of Boston include multiple layers of protection: masks, ventilation, distance, time.

Jeff Ostrowski · December 10, 2020

Offertory Compared • “Ave Maria” (4th Sunday of Advent) vs. “Ave Maria” (Immaculate Conception)

Consider the melody found in “Le Graduel Romain,” published in 1800—nine years before Napoleon Bonaparte kidnapped Pope Pius VII

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Jeff Ostrowski · December 8, 2020

Gregorian Chant • “How To Sing The Repercussion” (such as: Bistropha, Tristropha, etc.)

Each monastery had its own particular way of singing plainsong.

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Keven Smith · December 7, 2020

How to Help Children Match Pitch (part II)

Got your kids singing in head tone? Good. Next, try these two tips to eliminate obstacles to their success.

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Fr. David Friel · December 6, 2020

The Prophet Baruch: Surge, Ierusalem, Look to the East!

The communion chant for the Second Sunday of Advent, together with the introit and offertory, invite us to reflect on the Holy City, Jerusalem.

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Jeff Ostrowski · December 6, 2020

“Homily — 2nd Sunday of Advent, Year B” • Father Valentine Young, OFM

Yes, these are extraordinary times—and they require something extraordinary from us.

Jeff Ostrowski · December 2, 2020

Book Title • “English As She Is Spoke”

One who translates Aquinas expects to be cross-examined by those who understand philosophy and Latin; but Bible translators are liable to be cross-examined by anybody, because everybody thinks he knows what the Bible means.

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Jeff Ostrowski · December 2, 2020

(Ecuador) • Archbishop Poisoned on Good Friday

It happened during the “Mass of the Presanctified” celebrated on Good Friday, 30 March 1877.

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Veronica Brandt · December 1, 2020

Latin Mass Gospel Reading Video: Boost your Sunday

Reviewing the Sunday readings ahead of time is a highly recommended exercise. Now enjoy a crossword puzzle at the same time!

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Keven Smith · November 30, 2020

How to Help Children Match Pitch (part I)

It all starts with teaching your kids to sing in head tone. Here are some ideas on how to do it.

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Jeff Ostrowski · November 30, 2020

The “Winking” Part • Where’d Father Lasance Get It?

A curious translation which Father Lasance “borrowed” for the Ash Wednesday Introit…

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

  • “Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)
  • Chants That Crowds Roar With Burning Hearts
  • “Music List” • 4th Sunday of Easter (Year C)
  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter

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