Views from the Choir Loft

Articles

David J. Hughes · January 8, 2013

David J. Hughes

David is Organist & Choirmaster at St. Mary Church in Norwalk . . .

Fr. David Friel · January 7, 2013

Little Christmas

Gift of Self

Jeff Ostrowski · January 7, 2013

Baptism of our son

Our son was baptized by Most Rev. Bishop René H. Gracida.

Dr. Peter Kwasniewski · January 6, 2013

Peter Kwasniewski

Peter has held posts with the International Theological Institute in Austria . . .

Andrew R. Motyka · January 4, 2013

Biography • Andrew R. Motyka

Andrew is Director of Liturgical Music for the Archdiocese of Indianapolis . . .

Andrew Leung · January 4, 2013

Biography • Andrew Leung

Andrew holds a degree in Sacred music from the Franciscan University of Steubenville…

Cynthia Ostrowski · January 3, 2013

Extraordinary Form Hymnal

A brand new Latin Mass book—992 pages long—went to print on 12/24/2012.

Christopher Mueller · January 3, 2013

Biography • Christopher Mueller

Christopher is a church musician, conductor, and composer…

Cynthia Ostrowski · January 2, 2013

Biography • Cynthia Ostrowski

Cynthia holds a bachelor’s degree in Geographic Information Science . . .

Fr. David Friel · January 1, 2013

Recipe for A Happy 2013

Honor Thy Father & Mother

Jeff Ostrowski · December 30, 2012

Introduction To “Views From The Choir Loft”

We are excited to announce a new Blog dedicated to Sacred Music & Liturgy!

Jeff Ostrowski · December 24, 2012

Biography • Jeffrey M. Ostrowski

Jeff holds his B.M. in Music Theory from the University of Kansas . . .

Fr. David Friel · December 24, 2012

Midnight Mass

A Timeless Tradition

Aurelio Porfiri · December 22, 2012

Aurelio Porfiri

Aurelio is renowned as a conductor, theorist, organist, author …

Dr. Peter Kwasniewski · December 22, 2012

Reason and Mystery

Let us not abandon the heart of the mind and the mind of the heart.

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed