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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Cynthia Ostrowski · May 28, 2013

Catholic Line Art, Black and White • Installment #18

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · May 28, 2013

Disney’s “That Darn Cat,” Life Teen Masses, and More

“Music has the capability of evoking a place and a context.” — Dr. William Mahrt of Stanford

Corpus Christi Watershed · May 28, 2013

Mass In Honor of St. Ralph Sherwin • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

Corpus Christi Watershed · May 28, 2013

St. Anne Line • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

Corpus Christi Watershed · May 28, 2013

St. Edmund Arrowsmith • Practice Videos

ICEL, New Translation, Roman Missal, Third Edition, 3rd, Mass, Catholic, English,

Corpus Christi Watershed · May 27, 2013

Sung Propers: Various Simple Settings In English

Here’s a comparison of several complete musical settings of the Mass Propers by Fr. Guy Nicholls, Fr. Paul Arbogast, and others.

Jeff Ostrowski · May 27, 2013

Failure, The Liturgy, & Today’s Mr. Know-It-All

The priest who rejected my submission was very professional, polite, and encouraging.

Corpus Christi Watershed · May 27, 2013

How To Chant The Readings At Mass

Instructions for deacons learning to sing the Gospel during the Catholic Mass.

Fr. David Friel · May 26, 2013

“Father, Not Everyone Can Sing”

How to Respond

Jeff Ostrowski · May 26, 2013

Sibelius 7 • Get Rid Of Multi Rests!

“How can I get rid of those stupid multirests in Sibelius?”

Jeff Ostrowski · May 25, 2013

Fulton Sheen & The Holy Eucharist

Sheen’s book “Life of Christ” is such a treasure.

Jeff Ostrowski · May 25, 2013

In Search Of Polyphonic Recordings By Good Choirs

Does anyone have any suggestions?

Veronica Brandt · May 25, 2013

Top five resources for teaching chant to children

The staples in my bag for teaching Gregorian chant to an informal group of homeschoolers.

Corpus Christi Watershed · May 24, 2013

Msgr. Andrew Wadsworth On Sacrosanctum Concilium

“The singing of the Proper texts rather than the endless substitution of songs and hymns, are only now being seriously considered and implemented.” — Executive Director of the International Commission on English in the Liturgy (ICEL)

Richard J. Clark · May 24, 2013

Surprise! Musical Hierarchy in “Sing to the Lord: Music in Divine Worship”

The priorities of what we should sing at mass are full of surprises for some. I hope in the end that the greater “surprise” will be in how our prayer is formed by what we sing. I hope this will be the most pleasant surprise of all.

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

They were not ashamed to lay their hands on Sedulius, on Prudentius, on St. Ambrose himself. Only in one or two cases does some sense of shame seem to have stopped their nefarious work. They left “Ave maris stella,” “Jam lucis orto sidere,” and St. Thomas Aquinas’s hymns alone (they would have made pretty work of “Sacris solemniis”). In 1629 their mangled remnants were published.

— Rev’d Adrian Knottesford Fortescue (25 March 1916)

Recent Posts

  • Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)
  • Palm Sunday • “Repertoire for Children’s Choir”
  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass

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