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Views from the Choir Loft

Articles

Jeff Ostrowski · October 11, 2013

Addams Family Theme Song … At Mass?

Is it really true that any style of music can be lawfully used at Mass?

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Richard J. Clark · October 11, 2013

“Requiem pour une américaine à Paris” on “Sounds from the Spires”

Inspired by the Gregorian Chant propers of the Requiem Mass, Richard J. Clark’s “Requiem pour une américaine à Paris” was recently featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel, hosted by Dr. Jennifer Pascual, Director of Music of St. Patrick’s Cathedral in NYC.

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Corpus Christi Watershed · October 10, 2013

Bishop Dominique Rey (Fréjus-Toulon) visits Texas

Most Reverend Bishop Dominique Rey recently held a special conference about the Sacred Liturgy called “Sacra Liturgia 2013.”

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Jeff Ostrowski · October 10, 2013

Ron Paul & Pope Francis

A Catholic bishop once said to me: “One of the greatest proofs of the truth of Christianity is the fact that the Church is still here in spite of the incompetence and villainy of her frail priests and all-too-human bishops.”

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Dr. Peter Kwasniewski · October 10, 2013

“Let My Prayer Rise Like Incense”

It is often said that the earthly liturgy is a participation in the heavenly liturgy. Alas, in many cases this doesn’t fit in with our actual experiences, but there are exceptions. This past summer, heaven visited me in that way.

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Andrew R. Motyka · October 9, 2013

Laws of life

A brief post about basic liturgical theology.

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Cynthia Ostrowski · October 8, 2013

Catholic Line Art, Black and White • Installment #37

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Jeff Ostrowski · October 8, 2013

“It wasn’t supposed to happen this way.”

I took Latin in school, and one day someone asked me, “Did you know that in the Middle Ages the Mass used to be in Latin?” I thought, “I wish that still happened, somewhere on earth.”

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Jeff Ostrowski · October 7, 2013

Bugnini: the word Alleluia is a “meaningless sound”

It is simply incorrect to say that a “black hole” existed from 600AD until 1965 (when the vernacular was introduced) during which Catholics were not truly adoring God at Mass.

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Fr. David Friel · October 6, 2013

Pope Francis in Context

Teach the Beauty of God’s Ways

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Veronica Brandt · October 5, 2013

Pedagogy, propers and psalm tones

While psalm tones are comparatively simple, understanding and singing them is still a learned skill. Here are some psalm toned settings of two upcoming Sundays.

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Fr. David Friel · October 4, 2013

The Blessing of Animals

What’s the Purpose?

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Richard J. Clark · October 4, 2013

Stress, Low Pay, and ‘That Finger of Jesus’

“That finger of Jesus, pointing at Matthew. That’s me. I feel like him. Like Matthew…It is the gesture of Matthew that strikes me: he holds on to his money as if to say, ‘No, not me! No, this money is mine.’

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Corpus Christi Watershed · October 3, 2013

Bishop René H. Gracida • Golden Jubilee Homily

“I was a late vocation. There were twelve men ordained in my class. All of them were twenty-six years old at ordination. I was thirty-six … ten years late.” — Bishop René H. Gracida (2010)

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Dr. Peter Kwasniewski · October 3, 2013

Catholicism, the Persecuted Religion

Modern people can tolerate almost anything except a person’s being, or becoming, a Catholic.

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“The director should not allow any one to pre-intone who is not able to do it, lest ridiculous mistakes should occur; he should suppress all singing out of tune, all shouting, and all arbitrary harmonising by the singers, and should see that in responding to the celebrant, the choir invariably take up the tone corresponding to his.”

— Manual of Roman Chant (1860) by a Priest of the Congregation of the Most Holy Redeemer

Recent Posts

  • “Now Thank We All Our God” • (Simplified Keyboard Accompaniment)
  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”
  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)

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