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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Corpus Christi Watershed · September 5, 2013

1964 Letter from Romano Guardini

Forty-six years after the publication of his seminal work, “The Spirit of the Liturgy,” Fr. Romano Guardini reflected on the challenges of the Liturgical Movement in this 1964 letter.

Richard J. Clark · September 5, 2013

Praying for Peace in Syria – Day of Prayer and Fasting

Pope Francis has called for a day of fasting and prayer for peace this coming Saturday, September 7, 2013.

Dr. Peter Kwasniewski · September 5, 2013

Nourishing Our Souls on Beautiful Music: A Moral Imperative

Since we must strive to flee even venial sins, it is always better to assume that today’s popular music, produced mostly by hedonists who are generally singing about sins, is a slippery slope leading to some kind of intellectual pollution and consent.

Jeff Ostrowski · September 4, 2013

And The Answer Is … (?)

I’ve asked many priests this question, but nobody seems to know the answer.

Andrew R. Motyka · September 4, 2013

From Every Oops

The learning experience that accompanies every mistake.

Cynthia Ostrowski · September 3, 2013

Catholic Line Art, Black and White • Installment #32

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · September 2, 2013

“Young girls with quite non-liturgical notions”

Catholics must distinguish between true, authentic Liturgical dance and the “goofy type.”

Fr. David Friel · September 1, 2013

Retreat with the Trappists

Chant as A Unifying Force

Corpus Christi Watershed · August 31, 2013

“The Power of the Old Mass”

“Until I turned around for the Ecce Agnus Dei at the people’s Communion, I did not know whose sobs I had been hearing.”

Veronica Brandt · August 31, 2013

Making time

Time, time, said old King Tut, is something I have nothing but.

Richard J. Clark · August 30, 2013

Startlingly Human

The Psalms of David often reveal both the ugliness of humanity and his unwavering faith in God. In his prayer, he calls for the defeat – the blood of his enemies. His words are startlingly human.

Jeff Ostrowski · August 29, 2013

“The Liturgical Hall of Shame”

Fr. Godfrey Diekmann, OSB, was a major proponent of the “hootenanny Mass” following the Second Vatican Council.

Dr. Peter Kwasniewski · August 29, 2013

On the Connection Between Good Art and Good Morals

Is there an intrinsic or necessary connection between being a good artist and being a good man? As with most of the great questions, the answer is no—and yes.

Jeff Ostrowski · August 29, 2013

Concerning Animals With Twelve Eyes

“Across the board the Catholic faith can be understood as God’s family in every way. You don’t need a PhD in theology. You don’t even need courses in theology.” — Dr. Scott Hahn

Andrew R. Motyka · August 28, 2013

That Satisfying Click

Grace and IKEA directions.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Subsequent changes were more radical than those intended by Pope John and the bishops who passed the decree on the liturgy.”

— John Cardinal Heenan (1974)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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