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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 26, 2013

“Missale Romanum Cum Lectionibus Ad Usum Fidelium”

Gone forever? “A portable Latin missal which contains everything said or read at Mass.”

Richard J. Clark · July 26, 2013

Requiem pour une américaine à Paris

One of the most powerful spiritual experiences I ever had was the Requiem Mass in the Extraordinary Form at the 2012 Sacred Music Colloquium in Salt Lake City. Many of the liturgies at the Colloquia have shaken me to the core; I have been overwhelmed with an unspeakable sense of awe, mystery, and joy.

Jeff Ostrowski · July 26, 2013

Photograph of Msgr. Francis P. Schmitt

Photograph of “Father Schmitt” of Boys Town taken during the 1950s.

Dr. Peter Kwasniewski · July 25, 2013

Silence (Part 3 of 3)

The fundamental precondition for active participation is interior silence. Praying in silence is a particularly noble form of human activity—more active than merely speaking or singing.

Corpus Christi Watershed · July 25, 2013

Cardinal Raymond Leo Burke Interview

“In the reforms as they were introduced after the Council, a fundamental misunderstanding took place. Namely, this was that the reforms were undertaken with the idea there had been a rupture …” —Raymond Cardinal Leo Burke

Andrew R. Motyka · July 24, 2013

Taste Like Salt

In which we music directors get to not act like the hypocrites.

Jeff Ostrowski · July 23, 2013

Were You An Altar Boy In The 1960s?

Do you recall trying to memorize the “Confiteor” and the dreaded “Suscipiat” to serve at Mass?

Jeff Ostrowski · July 23, 2013

“I Love Ewe”

“The altar versus populum is not a new idea brought in by the reforms of Paul VI. The Mass could always be celebrated with the priest facing the people, as indeed it was in Rome and in many other places for centuries. True, it was not the usual way, but it did exist.” — Monsignor Richard J. Schuler

Cynthia Ostrowski · July 22, 2013

Catholic Line Art, Black and White • Installment #26

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Corpus Christi Watershed · July 22, 2013

A Personal Remembrance . . .

“Could I have imagined at that time that I was sitting and conversing with the future Pope? Not in a million years!” — Fr. Christopher G. Phillips

Fr. David Friel · July 21, 2013

High School Students

Finding God

Veronica Brandt · July 20, 2013

Here I owned Thy Presence

Owning up to the True Presence of Christ in the Eucharist. Do hymns help?

Jeff Ostrowski · July 19, 2013

Should The Priest Face The People At Mass?

“In the encyclical Mediator Dei, Pius XII regarded as ‘archeologists those who presumed to speak of the altar as a simple table.” — Newsletter of the Vatican Congregation of Divine Worship.

Jeff Ostrowski · July 19, 2013

Never Do This. Just Say “No.”

Ruth Slenczynska wasn’t right about everything … but she was right about this.

Richard J. Clark · July 19, 2013

“Missa de Jerry Seinfeld” and Praying as a Family

What I will remember most is that I knelt side by side with my daughter during the consecration. I will remember reciting the Creed in my fidgety three-year-old son’s ear as I held him.

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Corpus Christi Watershed

President’s Corner

    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

“Prohibiting or suspecting the extraordinary form can only be inspired by the demon who desires our suffocation and spiritual death.”

— Robert Cardinal Sarah (23-sep-2019), chosen by Pope Francis to be the Vatican’s chief liturgist

Recent Posts

  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!
  • Psalm Tone Challenge!
  • Card. Heenan on Ronald Knox: “Perhaps the Church’s greatest figure of the 20th century.”
  • “Kaitrin Drost Strikes Again!” • Plus a Few Random Thoughts and Tirades by Jeff Ostrowski

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