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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

What not to do on GitHub

Veronica Brandt · August 24, 2013

OME MIGHT SAY, DON’T DO ANYTHING on GitHub. After the last few hours I can relate to that, but there is more to it than that. GitHub is a great platform for all sorts of development. Here are a few of my favourites:

  • Lilypond transcription of Nova Organi Harmonia, more about the collection earlier this week
  • Free Garamond font by George Duffner
  • The Gregorian Chant Transcription Tool by Benjamin Bloomfield, which you can see in action at gabc.romanliturgy.org

Adam Wood wrote CMAA: Now with 100% more GitHub a few months ago. The idea was to have a place to share music transcriptions. There are already many places offering music in print-ready form, but not so many with editable scores in open formats. If you’ve ever had to adjust a score or a booklet and faced retyping the whole thing from scratch, you’ll know that being able to edit documents is very valuable.

So what is GitHub anyway?

Git is a version control system. GitHub is a big shiny website where you can sign up and use git to manage projects. You can Try Git in 15 minutes or sit back and watch some videos.

And what shouldn’t you do on GitHub?

Well, I was going to write a warning against deleting your repositories, because if you delete then try to make a new one with the same name, the system says you already have a repository with that name. I thought there may have been some permanent invisible archive there. Turns out it just takes a while for the repository to delete. Try again in an hour or two and everything is fine.

So, what not to do?

  • Don’t jump to conclusions.
  • Don’t dismiss the whole thing because it’s hard.
  • Don’t be embarrassed to ask questions.

To follow my confusion see veromary at GitHub. I have a few projects I’m working on, and I hope to write more about them later.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorio Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    17th Sunday in Ordinary Time (Year C)
    All of the chants for 27 July 2025, which is the 17th Sunday in Ordinary Time (Year C), have been added to the feasts website, as usual under a convenient “drop down.” The COMMUNION ANTIPHON—both text and melody—are particularly beautiful and exceedingly ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski
    Errors in Latin: “17th Sund. Ordinary”
    The COMMUNION for the 17th Sunday in Ordinary Time (Year C) contains several typos in the Jogues Illuminated Missal with regard to the Latin text. That particular COMMUNION ANTIPHON is extremely ancient, and the English Adaptation is utterly gorgeous. For the record, it’s normal for books to contain typos; even books by Father Fortescue and Monsignor Knox have errors. Books by Solesmes Abbey—surely among the finest ever produced—contain many printing errors. Click here to see a few examples of typos.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In older times we referred to humans as the human race, but according to this foundation we are being classed with the animals on the farm, the cow, the horse, the mule […] According to this foundation, I have no right to be born, for I am the youngest of 16 children, and God bless my mother for every one of them!”

— Archbishop Schrembs (d. 1945) vs. a foundation promoting artificial contraception

Recent Posts

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  • Errors in Latin: “17th Sund. Ordinary”
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