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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · October 14, 2013

Why Some Older Priests Hate Liturgy

“Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor.” — Blessed John XXIII (22 February 1962)

Fr. David Friel · October 13, 2013

Aparecida

Consecration to the IHM

Corpus Christi Watershed · October 13, 2013

Gregorian Chant Chironomy Video

What’s it like to attend the Sacred Music Colloquium?

Jeff Ostrowski · October 13, 2013

True Liturgical Abuse … And Rex Harrison

On 17 April 1980, Blessed John Paul II approved and confirmed a document saying, “Females are not permitted to act as altar servers.”

Veronica Brandt · October 12, 2013

Jump start your rehearsal

Packing more chant into your regular rehearsal.

Jeff Ostrowski · October 11, 2013

1945 Vernacular Mass Card (German)

I always enjoy seeing “participation aids” from days of old …

Jeff Ostrowski · October 11, 2013

Addams Family Theme Song … At Mass?

Is it really true that any style of music can be lawfully used at Mass?

Richard J. Clark · October 11, 2013

“Requiem pour une américaine à Paris” on “Sounds from the Spires”

Inspired by the Gregorian Chant propers of the Requiem Mass, Richard J. Clark’s “Requiem pour une américaine à Paris” was recently featured on “Sounds from the Spires” on SIRIUS XM 129 Radio, The Catholic Channel, hosted by Dr. Jennifer Pascual, Director of Music of St. Patrick’s Cathedral in NYC.

Jeff Ostrowski · October 10, 2013

Ron Paul & Pope Francis

A Catholic bishop once said to me: “One of the greatest proofs of the truth of Christianity is the fact that the Church is still here in spite of the incompetence and villainy of her frail priests and all-too-human bishops.”

Dr. Peter Kwasniewski · October 10, 2013

“Let My Prayer Rise Like Incense”

It is often said that the earthly liturgy is a participation in the heavenly liturgy. Alas, in many cases this doesn’t fit in with our actual experiences, but there are exceptions. This past summer, heaven visited me in that way.

Corpus Christi Watershed · October 10, 2013

Bishop Dominique Rey (Fréjus-Toulon) visits Texas

Most Reverend Bishop Dominique Rey recently held a special conference about the Sacred Liturgy called “Sacra Liturgia 2013.”

Andrew R. Motyka · October 9, 2013

Laws of life

A brief post about basic liturgical theology.

Cynthia Ostrowski · October 8, 2013

Catholic Line Art, Black and White • Installment #37

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · October 8, 2013

“It wasn’t supposed to happen this way.”

I took Latin in school, and one day someone asked me, “Did you know that in the Middle Ages the Mass used to be in Latin?” I thought, “I wish that still happened, somewhere on earth.”

Jeff Ostrowski · October 7, 2013

Bugnini: the word Alleluia is a “meaningless sound”

It is simply incorrect to say that a “black hole” existed from 600AD until 1965 (when the vernacular was introduced) during which Catholics were not truly adoring God at Mass.

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

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