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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Two Upcoming Lectures on Sacred Art

Corpus Christi Watershed · November 11, 2013

6708 Art Click to enlarge image NJOY SOME of the most enchanting paintings from art history on Sunday, November 24th at 12:30PM in the church basement of Mary Immaculate of Lourdes Church in Newton, MA. Gwyneth Holston, Catholic artist and Corpus Christi Watershed blogger, will be giving a lecture on the story behind sacred art from the Gothic era through the Pre-Raphaelite. Each work discussed will have a link to the Advent season and the traditional feast days for the month of December.

Some of the featured works include:

The Last Judgment by Hans Memling

The Immaculate Conception by Tiepolo

The Portinari Altarpiece by Hugo van der Goes

FORMING THE ARTIST — An evening with David Clayton

The Catholic Artists Society and the Thomistic Institute in New York invite you to this third event in The Art of the Beautiful series. Internationally known artist, writer, teacher and broadcaster, David Clayton will speak on the formation of artists. The lecture will be held at the Catholic Center at NYU on November 16th at 7:30PM

Mr. Clayton is Artist-in-Residence and lecturer at Thomas More College in NH. He wrote, produced and presented the 13-part TV series, The Way of Beauty (2011). His writing appears in many publications and websites, including his popular blog:

      * *  The Way Of Beauty • A Wonderful Blog by David Clayton

The lecture will be followed by a reception and sung Compline, the nighttime prayer of the Liturgy of the Hours. Admission is free but space is limited. We encourage you to arrive early to get a seat!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Traditional Catholic Artwork Last Updated: January 1, 2020

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Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

The effectiveness of liturgy does not lie in experimenting with rites and altering them over and over, nor in a continuous reductionism, but solely in entering more deeply into the word of God and the mystery being celebrated. It is the presence of these two that authenticates the Church’s rites, not what some priest decides, indulging his own preferences.

— Liturgicae Instaurationes (1970)

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