Views from the Choir Loft

Articles

Jeff Ostrowski · August 25, 2013

A Very Cool Thing! (3 of 3)

A section of the Gospel of John dating sometime around 120 A.D. (!!!)

Veronica Brandt · August 24, 2013

What not to do on GitHub

Read my mistakes to save yourself the trouble.

Jeff Ostrowski · August 23, 2013

Help! What does Fr. Deryck Hanshell mean?

USCCB Secretariat of Divine Worship: “The GIRM never speaks to every possible scenario that could take place.”

Jeff Ostrowski · August 22, 2013

Pope Pius X: The Pope Who Carried His Shoes

Named Bishop of Mantua, Sarto began in 1884 to teach dogma courses in the Seminary, giving each student a personal copy of the “Summa Theologiae.”

Dr. Peter Kwasniewski · August 22, 2013

Musings of an Aristotelian Catholic

In the mystery of the Incarnation, God takes delight in responding to man’s sensible, bodily nature, and the resulting need for tasting and touching our God.

Jeff Ostrowski · August 22, 2013

Bishop Christensen Attempts To Ban “Ad Orientem”

“There is nothing in the Council text about turning altars toward the people.” — Joseph Cardinal Ratzinger

Andrew R. Motyka · August 21, 2013

First, the Priests

The importance of the priest singing the orations at Mass.

Jeff Ostrowski · August 19, 2013

Singing Propers and Ordinary . . . at Low Mass?

“And the practice of saying a Low Mass while the choir sings bits of things is too dreadful to be described.” — Fr. Adrian Fortescue, 1912

Fr. David Friel · August 18, 2013

The Gift of Music

Whose Gift Is It?

Jeff Ostrowski · August 17, 2013

Essay on Gregorian Accompaniment

I published this article in 2007. I am reproducing it here in case anyone finds it useful.

Veronica Brandt · August 17, 2013

A hymn for St Mary of the Cross

A beautiful hymn from Rev Fr Popplewell FSSP from Canberra, Australia.

Jeff Ostrowski · August 17, 2013

Anticipation of Richard . . .

One of our contributors, Richard Clark, plans to write about the 1998 ICEL translation . . .

Kevin Allen · August 15, 2013

Motecta Trium Vocum • Video

To learn about Motecta Trium Vocum, please click here.

Kevin Allen · August 15, 2013

Contemporary Sacred Music: Does It Exist?

To learn more about I Sing of a Maiden, please click here.

Kevin Allen · August 15, 2013

Cantiones Sacrae Simplices • Video

To learn more about Cantiones Sacrae Simplices, please click here.

“Music List” • Pentecost Sunday

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.

—Jeff Ostrowski

“Truly Great Processional” • (Pipe Organ)

I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.

—Jeff Ostrowski

Proof Which All Can Immediately See!

“A little knowledge is a dangerous thing,” as the famous maxim goes. Over the years, I’ve observed malicious attacks on the Brébeuf Catholic Hymnal. Rather than scoring a ‘hit’ on the Brébeuf Hymnal, its attackers often reveal profound ignorance. I’ve been advised never to reply … but I break that rule today. Certain voices online assert that the Brébeuf Hymnal is “untraditional” because it includes both the Urbanite and pre-Urbanite versions of the hymns. But if only they would glance at a copy of the 1913 VESPERALE (printed by order of Pope Saint Pius X) they would see how mistaken such statements are.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker