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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Articles

Gwyneth Holston · February 10, 2014

How to repaint a statue with professional results

Were your parish’s statues whitewashed in the eighties? Here’s how to restore them to their former glory.

Corpus Christi Watershed · February 9, 2014

Lulu Coupons Save You Money!

A most amazing thing! These coupon codes can be applied to your entire order!

Fr. David Friel · February 9, 2014

Celebrating Parish Weddings

New Rubrics for Use of the Gloria

Jeff Ostrowski · February 9, 2014

Jungmann’s Remarkable Statement About The Mass Propers In 1964

In essence, Jungmann is saying, “I’ve decided that each Mass has a theme, and if the ancient Propers don’t match it, they’ve been wrong for 1600 years.”

Veronica Brandt · February 8, 2014

Browsing Illuminated Manuscripts in Switzerland

Thank you internet! Browsing Swiss libraries of medieval manuscripts from home. Life doesn’t get much better than this.

Richard J. Clark · February 7, 2014

Disparagement Is Not Helping the Cause of Liturgical Reform

Disparagement is not catechesis. It is destructive. If we are to catechize and evangelize, we must put God first, not our own preferences. Meanwhile, we must catechize and strive for the ideal.

Guest Author · February 7, 2014

On Singing the Passion Gospel for Palm Sunday

This Lent, consider singing the most important Gospel reading of the year. “Free PDF Download Included!”

Dr. Peter Kwasniewski · February 6, 2014

Poverty, Self-Denial, and Peace – Part II

How do we learn the art of self-denial? In small steps that prepare us for the ultimate step: surrendering our soul to the Lord at death.

Jeff Ostrowski · February 5, 2014

Whence Came The New Eucharistic Prayers?

When the three new Canons were published, the Consilium sent the conferences a letter (dated 2 June 1968) “to assist catechesis on the anaphoras of the Mass.”

Jeff Ostrowski · February 5, 2014

1965 Ordo Missae … In Spanish!

Kyle, one of our readers, sent us this fascinating liturgical artifact.

Cynthia Ostrowski · February 4, 2014

Catholic Line Art, Black and White • Installment #50

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · February 4, 2014

Mp3 Audio: “Why Do I Use My Paper, Ink, And Pen”

The fact that this recording was created by one person will astound you. The fact that it’s offered to you free of charge is even better!

Jeff Ostrowski · February 3, 2014

“Polls Ye Shall Always Have With You”

When was the last time you saw the music of today’s popular Catholic composers treated in a serious way?

Gwyneth Holston · February 3, 2014

The Heresy of Formlessness

How have I not read Martin Mosebach’s book before now?

Fr. David Friel · February 2, 2014

Youth in Favor of Sacred Music

Not a Negligible Niche

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Corpus Christi Watershed

President’s Corner

    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski
    “Truly Great Processional” • (Pipe Organ)
    I stumbled upon this live recording of a PROCESSIONAL I played on the pipe organ in 2002. It’s an excerpt from a much longer composition by Sebastian Bach. In those days, there weren’t sophisticated recording devices allowing one “fix” wrong notes. (Perhaps they existed, but we didn’t have machines like that.) So it was necessary to play the entire piece from beginning to end. If you’re a church organist, feel free to download the PDF score. I suppose it’s only a matter of time until some joker uses “artificial intelligence” to play music at church … but there’s something so satisfying about playing an organ in real life.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

Recent Posts

  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension
  • “Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)
  • “Truly Great Processional” • (Pipe Organ)

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