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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · May 2, 2014

The Pipe Organ in Survival Mode

Organists can no longer take for granted the dominant use—or for that matter, any use of the organ despite anything Sacrosanctum Concilium states.

Jeff Ostrowski · May 1, 2014

Everything You Ever Wanted To Know About Liturgical Translations

This is no hybrid: it’s an elegant, accurate, modern, unified English translation of the Graduale!

Dr. Peter Kwasniewski · May 1, 2014

A Triple Cord: Liturgy, Aquinas, and CST

The traditional liturgy, the study of St. Thomas Aquinas, and Catholic social doctrine―these three things stand or fall together.

Corpus Christi Watershed · May 1, 2014

Jogues Illuminated Missal • Responsorial Psalm Sample Video

Free Responsorial Psalms

Andrew R. Motyka · April 30, 2014

OF with an EF Priest

Why the EF seems to have all the good celebrants.

Richard J. Clark · April 27, 2014

Mass in Honor of Pope Saint John Paul II

FREE DOWNLOAD of the complete score AND recordings.

Fr. David Friel · April 27, 2014

The Mercy of God Makes Saints

Unmasking the Media’s Mythical Divide Between Popes

Guest Author · April 27, 2014

Homily: 2nd Sunday of Easter (Divine Mercy)

I’m happy that people want to gain the plenary indulgence on Divine Mercy Sunday. But remember, you can also gain it on other occasions.

Richard J. Clark · April 25, 2014

PREVIEW – Mass in Honor of Pope Saint John Paul II

Preview of the “Mass in Honor of Pope Saint John Paul II” Listen to the Gloria!

Guest Author · April 25, 2014

The Thoughtful Theologian reflects on the canonisations of 27 April 2014

God is Truth Itself, and so faith transcends reason, and elevates it without contradicting it.

Jeff Ostrowski · April 25, 2014

Thirteen (13) Organ Accompaniments to “Missa de Angelis” (Mass VIII)

Free PDF downloads for “Mass of the Angels” organ accompaniments • Henri Potiron (1950), Achille Bragers (1937), Dr. Eugene Lapierre (1946), Franz Xaver Mathias (1906), Dr. Peter Wagner (1905), Monsignor Leo P. Manzetti (1906), Julius Bas (1906), and more+

Dr. Peter Kwasniewski · April 24, 2014

“Soft Source of Calm Tranquillity”: The Quiet Mass

A poem set to music by Handel perfectly captures the feelings one has at a quiet low Mass. Here I try to say why this form of the Mass is so special and valuable.

Corpus Christi Watershed · April 23, 2014

VIDEO • Explaining the St. Isaac Jogues Illuminated Missal, Lectionary, & Gradual

Approved by the USCCB — 2014 Imprimatur from Bishop Slattery of Tulsa.

Jeff Ostrowski · April 22, 2014

More unites us than divides us!

Musicians tend to be very “picky” people who don’t get along with one another.

Guest Author · April 21, 2014

Francis Thompson (1859 – 1907): Catholic, Addict, Poet

The intellect of the world has been corrupted. Francis Thompson is the antidote.

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Corpus Christi Watershed

President’s Corner

    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed
    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Indeed I might add that although unfamiliar with it myself, the Extraordinary Form expressly reminds us that Mass in either form is not merely a communion meal but a ritual of love, a sacrifice at Calvary, by which, for you and for me, yes, here and now, Jesus Christ lays down his life.

— ‘Most Rev. Philip Egan, Bishop of Portsmouth’

Recent Posts

  • Keven Smith * Three More Recommendations for Children’s Repertoire
  • Liturgical Round (“Canon”) in C-Major
  • PDF Download • Liturgical Round (“Canon”) for your Children’s Choir
  • Latin Liturgy Association
  • Important Quote by a Church Musician

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