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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · February 2, 2015

Elvis Presley, Offertory Processions, & “Alius Cantus”

Offertory processions in the 1940s? Really?

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Fr. David Friel · February 1, 2015

Pope Francis & the Devil

Driving Out the Unclean Spirits in Our Midst

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Jeff Ostrowski · January 31, 2015

Musical Resources • Septuagesima Sunday

«GLORIA in EXCELSIS» is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

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Veronica Brandt · January 31, 2015

Lord of the World

A highly recommended book which relies on some background knowledge of sacred music.

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Richard J. Clark · January 30, 2015

Liturgy of the Word and Paraphrasing the Responsorial Psalm

Would a lector paraphrase a reading from Isaiah or Paul? Would a deacon or priest change the words while proclaiming the Gospel of St. Luke?

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Guest Author · January 29, 2015

How Important Is The Poetic Value Of A Hymn?

“If Christians want me to believe in their god, they will have to sing me better hymns.” —Nietzsche

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Cynthia Ostrowski · January 28, 2015

Catholic Bulletin Art • Installment #68

Today’s installment is a third picture of the Epiphany—different than the two we’ve previously posted.

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Jeff Ostrowski · January 28, 2015

Innocuous But Uninspired Music At Mass?

In my youth, I recall singing some of these same songs at Mass, but I refused to do the hand gestures.

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Aurelio Porfiri · January 27, 2015

Understanding

“Immanentism means there is no reality beyond what we know…” —Aurelio Porfiri

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Jeff Ostrowski · January 27, 2015

PDF Download: Eucharistic Verset By Palestrina

Your more advanced singers will love this piece by Palestrina!

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Jeff Ostrowski · January 26, 2015

Father Richard McBrien & The Passing Of An Era

“My Roman collar is my television uniform.” —Fr. Richard McBrien

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Fr. David Friel · January 25, 2015

Bishop Conley & Advent “Ad Orientem”

The results are in.

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Veronica Brandt · January 24, 2015

Preparing for Candlemas

Your one-week-to-go guide to preparing for Candlemas.

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Jeff Ostrowski · January 24, 2015

PDF Download: Saint Rose Hymnal (1938)

“It contains about two hundred hymns—all from approved sources—and covers every phase of Catholic devotion.” —Foreword by the Bishop of La Crosse

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Jeff Ostrowski · January 23, 2015

Musical Resources • Third Sunday after Epiphany

Hymns can be implemented into the Latin High Mass with great effect.

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

Recent Posts

  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story

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