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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Guest Author · August 31, 2015

Adapting Chant To The Vernacular

“The more closely a composition approaches the Gregorian melodic form, the more sacred it becomes.”

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Fr. David Friel · August 30, 2015

Society for Catholic Liturgy Conference 2015

Featuring Archbishop Salvatore Cordileone, Dr. William Mahrt, and Fr. Uwe Michael Lang

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Jeff Ostrowski · August 29, 2015

The Ordinary Form’s Incredible Freedom

Here’s a chart with rubrics from the 1974 “Graduale” translated into English.

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Richard J. Clark · August 28, 2015

Frank La Rocca • Contemporary Music for the Sacred Treasury

If you are not familiar with the works of composer Frank La Rocca, you should be. His works move contemporary sacred music towards the realization of Vatican II.

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Veronica Brandt · August 28, 2015

Practising from back to front

Something of a duet of the Communion Antiphon for the 16th Sunday after Pentecost—part of preparing for Mass

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Jeff Ostrowski · August 27, 2015

Be Amazed By This Two-Minute Clip About Cathedrals!

Astounding video about how the Amiens Cathedral was saved by a medieval “iron band-aid.”

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Andrew Leung · August 27, 2015

Cake or Frosting?

The Liturgy is the cake and Sacred Music is the frosting…

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Andrew Leung · August 26, 2015

A Paragraph that Caught Attention

“Re-discovery of the Church’s Sacred Tradition: II Kings 22” by Fr. David Carter, JCL.

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Jeff Ostrowski · August 26, 2015

Musical Resources • 14th Sunday after Pentecost (Extraordinary Form)

“Reconciled for evermore to thy Church, do thou watch over her, O Lord…”

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Jeff Ostrowski · August 26, 2015

PDF Download • Rossini’s “Canticum Novum” (1935)

A Collection of 115 Motets and Hymns, with an Easy Mass for Two Equal Voices.

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Dr. Lucas Tappan · August 25, 2015

Another Job For Your Children

Simply dive in and do it. Remember how quickly your children grew up and left home? That is all the longer it takes.

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Jeff Ostrowski · August 25, 2015

SATB “Alleluia” By Palestrina • Brief, Easy, & Sumptuous

I dare you NOT to immediately assign this piece to your choir!

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Jeff Ostrowski · August 25, 2015

A Most Astounding “Graduale” From 1909 … On Modern Staves!

University professors don’t sit around wondering whether they should teach the music of Tomás Luis de Victoria or Marty Haugen.

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Cynthia Ostrowski · August 24, 2015

Christmas Gift Idea • Unbelievable Made-By-Hand Wood Carvings!

“Creating these etchings reminds me of my mother’s deep spirituality.” —John McCarthy

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Jeff Ostrowski · August 23, 2015

Organ Accompaniment • “Christe Supreme”

When your choir isn’t ready for polyphony…

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”

    There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”

    The following declaration will probably smack of “blowing my own horn.”

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”

    Regarding approval for the “Revised Standard Version (Catholic Edition).”

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    —Jeff Ostrowski
    “Reminder” — Month of May (2026)

    Since a new month has arrived, it’s my pleasure to remind you that…

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    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)

    I don’t care what people say; I love this piece!

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    —Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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