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“…it is important to avoid musical forms which, because of their profane use, are not conducive to prayer.”
“Old age steals on with its rich harvest and its peculiar trials, yet the same lips pronounce the same exultant words…”
“Practicing Choral Music: Ten ideas the singer who doesn’t think they can practice on their own” by Doreen Fryling, a lifelong practice avoider.
Only by knowing a piece inside and out can we teach it effectively and efficiently.
What you didn’t know about Fr. Jonathan Morris…
A Different Type of “Silent” Auction
Sunday is not exactly a day of rest—I’m sure many people working in Sacred Music would heartily agree!
“May thy grace … cause us to be zealous at all times in the doing of good works.”
“Praying for Our Dead: Essential Music for Catholic Funeral Mass” workshop will be held in Jaspers, GA on October 3.
Including an update on wonderful things happening for Sacred Music in Colorado!
I like to cover (or re-cover) all of the basics with the boys and girls.
Can you see the difference? Can you hear the difference?
“The conductor should be able to hear a perfect performance of the piece before it even begins.” —Dr. Alfred Calabrese
“His answer was surprising to me, and I thought it both prudential and catholic.” —Chris Mueller
Download these Propers for Saint Pio of Pietrelcina—according to the 1962 Missale Romanum!
