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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Andrew Leung · September 1, 2015

BIG NEWS • SSPX Priests can Validly Absolve

Pope Francis has granted that SSPX priests can give absolution validly and licitly during the Jubilee Year of Mercy.

Guest Author · August 31, 2015

Adapting Chant To The Vernacular

“The more closely a composition approaches the Gregorian melodic form, the more sacred it becomes.”

Fr. David Friel · August 30, 2015

Society for Catholic Liturgy Conference 2015

Featuring Archbishop Salvatore Cordileone, Dr. William Mahrt, and Fr. Uwe Michael Lang

Jeff Ostrowski · August 29, 2015

The Ordinary Form’s Incredible Freedom

Here’s a chart with rubrics from the 1974 “Graduale” translated into English.

Richard J. Clark · August 28, 2015

Frank La Rocca • Contemporary Music for the Sacred Treasury

If you are not familiar with the works of composer Frank La Rocca, you should be. His works move contemporary sacred music towards the realization of Vatican II.

Veronica Brandt · August 28, 2015

Practising from back to front

Something of a duet of the Communion Antiphon for the 16th Sunday after Pentecost—part of preparing for Mass

Jeff Ostrowski · August 27, 2015

Be Amazed By This Two-Minute Clip About Cathedrals!

Astounding video about how the Amiens Cathedral was saved by a medieval “iron band-aid.”

Andrew Leung · August 27, 2015

Cake or Frosting?

The Liturgy is the cake and Sacred Music is the frosting…

Andrew Leung · August 26, 2015

A Paragraph that Caught Attention

“Re-discovery of the Church’s Sacred Tradition: II Kings 22” by Fr. David Carter, JCL.

Jeff Ostrowski · August 26, 2015

Musical Resources • 14th Sunday after Pentecost (Extraordinary Form)

“Reconciled for evermore to thy Church, do thou watch over her, O Lord…”

Jeff Ostrowski · August 26, 2015

PDF Download • Rossini’s “Canticum Novum” (1935)

A Collection of 115 Motets and Hymns, with an Easy Mass for Two Equal Voices.

Jeff Ostrowski · August 25, 2015

A Most Astounding “Graduale” From 1909 … On Modern Staves!

University professors don’t sit around wondering whether they should teach the music of Tomás Luis de Victoria or Marty Haugen.

Dr. Lucas Tappan · August 25, 2015

Another Job For Your Children

Simply dive in and do it. Remember how quickly your children grew up and left home? That is all the longer it takes.

Jeff Ostrowski · August 25, 2015

SATB “Alleluia” By Palestrina • Brief, Easy, & Sumptuous

I dare you NOT to immediately assign this piece to your choir!

Cynthia Ostrowski · August 24, 2015

Christmas Gift Idea • Unbelievable Made-By-Hand Wood Carvings!

“Creating these etchings reminds me of my mother’s deep spirituality.” —John McCarthy

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“As often as possible they gathered together the children of the village and sat them down in the cabin. Father Brébeuf would put on a surplice and biretta and chant the Our Father, which Father Daniel had translated into Huron rhymes, and the children would chant it after him. Next, he taught them the sign of the cross, the Hail Mary, the Apostles’ Creed, and the Commandments.”

— Biography of St. Jean de Brébeuf

Recent Posts

  • Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)
  • Palm Sunday • “Repertoire for Children’s Choir”
  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass

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