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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Andrew Leung · September 24, 2015

My New Assignment—Part 1

Please pray for me as I continue to discern my vocation to the priesthood.

Jeff Ostrowski · September 24, 2015

Musical Resources • 18th Sunday after Pentecost (Extraordinary Form)

“In thy tender mercy, guide aright, we beseech thee, O Lord, our hearts…”

Dr. Alfred Calabrese · September 24, 2015

Getting the most from your choir: Passion

Passion … is a tremendous engine for achieving the very best results.

Jeff Ostrowski · September 23, 2015

Interesting Video About The Latin Mass (Massachusetts)

I believe Fr. Robert Fromageot was professor of Gregorian chant at the FSSP seminary.

Dr. Lucas Tappan · September 23, 2015

The Art of Breathing

If there are only two concepts you are able to instill in a child in the early stages regarding breathing, they would be 1) fill and empty the stomach with air just like a balloon (don’t use the chest) and 2) keep the shoulders down and relaxed.

Andrew Leung · September 23, 2015

Papal Liturgies – Day 2 of the Papal Visit

Some highlights of the papal liturgies on the second day of Pope Francis’s visit

Jeff Ostrowski · September 22, 2015

A Serious Problem That Needs To Be Addressed

The accusation by this lady really hurt me; but I’m not sure why…

Jeff Ostrowski · September 22, 2015

Transposed Mode • This Sunday’s Communion

One could also use a Mode VII psalm tone to “solve” the problem … but that just sounds wrong.

Christopher Mueller · September 21, 2015

A Striking Approach To Performing Gregorian Chant

A commenter had posted, “Their metrical chant is a revelation!” That piqued my curiosity.

Fr. David Friel · September 20, 2015

A Missal for the Ordinariate

Concrete gestures that enter hearts and stir consciences are essential, inspiring in everyone that inner conversion that is the prerequisite for all ecumenical progress. — Pope Emeritus Benedict XVI

Jeff Ostrowski · September 19, 2015

Musical Resources • 17th Sunday after Pentecost (Extraordinary Form)

“Very humbly, O Lord, we implore of thy majesty, that the holy mysteries we are celebrating … save us from transgressing in the time to come …”

Veronica Brandt · September 19, 2015

How many tunes should we use?

Including a brief survey of tunes for Benediction hymns from a few of the hymnbooks on my bookshelf.

Jeff Ostrowski · September 19, 2015

“Agnus Dei” For Three Voices • Guillaume Dufay

…including a digression on why choirs hate Solfège.

Richard J. Clark · September 18, 2015

Communion Antiphons for Advent • World Library Publications

World Library Publications has published settings of Communion propers for Advent. Listen here to beautiful recordings directed by Paul French.

Andrew Leung · September 17, 2015

Pontifical Solemn High Mass in Steubenville

Students and Alumni of the Sacred Music Program of Franciscan University of Steubenville sang the Pontifical Solemn High Mass celebrated by Cardinal Burke.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski
    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination

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