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Views from the Choir Loft

“Live” Recording Of Polyphonic Kyrie VIII

Jeff Ostrowski · September 16, 2015

294 Extraordinary Form MASS AST SUNDAY, as you can see by the musical program I post each week, we sang a beautiful composition by Richard Rice. I’ve mentioned how much I like this piece—and if you haven’t done so, you should download the entire Mass—so I won’t repeat what I’ve said already.

Last Sunday, somebody in the pews took this “live” recording:

    * *  Mp3 Audio • “Live” Kyrie VIII (Rice)

Is it a perfect performance? Certainly not; but we’re on the right track. Moreover, when you consider that our FSSP parish in Los Angeles has existed less than a year, I think you’ll agree we’ve made fine progress.

WHEN I STUDIED MUSICOLOGY in grad school, they made us read “source documents” from the Renaissance. One Cardinal complained vociferously in writing about a Kyrie he said was too happy. I’m paraphrasing, but his argument went something like this:

“Doesn’t this composer realize the Kyrie is supposed to be sad and mournful? It’s supposed to be written in a sad mode, but he chose a happy mode. Is this what art has come to? Have we reached a point where composers don’t even realize the Kyrie should sound sad?”

In fact, the Cardinal was dead wrong. The Catholic liturgical tradition is much more complicated than “sad vs. happy.” For instance, the same melodies—the exact same melodies—are used for the interlectionary chants during Lent and Eastertide. You can even find “happy” melodies setting the CRUCIFIXUS. The reason is because our Catholic faith is a mixture of joy and sorrow. This is illustrated well by the name “Good Friday.” Another example would be “Felix Culpa.” For the record, Richard Rice’s Kyrie—if sung well—should should extremely happy, although a few “dismal” elements are hidden within it as well.

In a biography of Saint John Bosco, it’s mentioned that Don Bosco would fall out of bed each morning at 4:00am and immediately pray for an hour … in thanksgiving. Another described the saint’s whole life as a massive outpouring of thanksgiving. In my life, I have so much to be thankful for. Were I to list everything and everyone, this blog would go on forever.

Let me just mention three things:

(1) I’m grateful for the opportunity to work with our choir and organist here in Los Angeles.

(2) I’m grateful to Pope Benedict XVI for the gift of Summorum Pontificum.

(3) I’m grateful to the CCW donors, who give $5.00 each month. Thanks to them, we can share our hopes, dreams, failures, and successes here on Views from the Choir Loft.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    Hymn by Cardinal Newman
    During the season of Septuagesima, we will be using this hymn by Cardinal Newman, which employs both Latin and English. (Readers probably know that Cardinal Newman was one of the world's experts when it comes to Lingua Latina.) The final verse contains a beautiful soprano descant. Father Louis Bouyer—famous theologian, close friend of Pope Paul VI, and architect of post-conciliar reforms—wrote thus vis-à-vis the elimination of Septuagesima: “I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed (with no good reason) Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!”
    —Jeff Ostrowski
    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3). I'm not a fan of chant in octaves, but we had such limited time to rehearse, it seemed the best choice. After all, everyone should have an opportunity to learn “Lumen Ad Revelatiónem Géntium,” which summarizes Candlemas.
    —Jeff Ostrowski

Random Quote

“The following question is asked by the Most Reverend Lord Bishop of the Diocese of Chur: May this Diocese’s ancient custom be continued of having the Celebrant in Sung Masses (excepting more solemn Masses) intone the Credo and when he is finished reciting it going on immediately to the offertory and finishing it while the credo is being sung by the choir?” (Dubium of Dec 1909)

— 11 December 1909

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