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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · September 11, 2024

Musical Setting • “Confíteor Déo Omnipoténti”

The participants went nuts over this musical setting. They just couldn’t get enough of it!

Jeff Ostrowski · September 10, 2024

PDF Download • “Entrance Chant” for the 24th Sunday in Ordinary Time (Plainchant in English)

Today I discuss a myth about accompanying plainsong on the pipe organ.

Corpus Christi Watershed · September 10, 2024

“He Wants to Share His Subject and His Background Is Impressive.”

Feedback from the Gregorian Chant workshop in Chicago.

Corrinne May · September 9, 2024

“A Coming Together of My Two Choral Worlds…”

Readers might get some ‘programming ideas’ from the list of pieces we sang.

Jeff Ostrowski · September 6, 2024

“Spanish Entrance Hymn” • (You Might Enjoy This)

Javier R. wrote to us: “One thing that caught my eye—and which I’ve been wrestling with—is how to fit Hymns with Antiphons, especially during the entrance procession.”

Jeff Ostrowski · August 30, 2024

Repository • “Spanish Order of Music” (Sainte Marie)

I’ve been creating these for our Spanish Masses. They aren’t perfect—but I’ve also seen worse.

Jeff Ostrowski · August 30, 2024

Leaked Document! • Comparison Chart—New Responsorial Psalms (“Abbey Psalms & Canticles”)

The NAB tried to use “overly casual” language—and the results are often an abomination.

Jeff Ostrowski · August 28, 2024

PDF Download • Seasonal (“Ad Libitum”) Gospel Acclamations for Sundays and Weekdays

The various options given here by the official 1970 Missal can be used during the week (or on any Sunday).

Jeff Ostrowski · August 27, 2024

When Teaching a Polyphony for the First Time, Use This Three-Voice Piece

The Solfège has already been added, and we made magnificent rehearsal videos for you!

Corpus Christi Watershed · August 27, 2024

Corrinne May Conducts At “Totus Tuus”

“Please pray for me and the choir. May Our Lady be better known and loved.” —Corrinne May

Corpus Christi Watershed · August 24, 2024

1950s Seminary Film

Thirty-six minutes of beauty!

William J. Fritz · August 23, 2024

“Introducing Chant in Your Parish” • With Kevin Allen

“If Bach wanted to learn from the master, he had to go a long way to do it, so he made the sacrifice to do it.” —Kevin Allen

Jeff Ostrowski · August 22, 2024

The Very Least We Can Do!

Today I must ask the infamous question… (ducks)

Andrea Leal · August 22, 2024

PDF • “Organ Interludes” (Manuals Only) — 104 Pages

Including Dom Gregory Murray, Flor Peeters, Jacques Lemmens, John Lee, C. H. Rinck, Dom Alphege Shebbeare, Oreste Ravanello, Louis Niedermeyer, Eugène Gigout, Luigi Bottazzo, Johann Sebastian Bach, and many others.

Corpus Christi Watershed · August 21, 2024

Famous Italian Actor Regrets Aborting Son

“I would have liked you to be lying under the covers during a storm, silent so you could hear the sound of the rainfall.” —Andrea Roncato

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“I vividly remember going to church with him in Bournemouth. He was a devout Roman Catholic and it was soon after the Church had changed the liturgy (from Latin to English). My grandfather obviously didn’t agree with this and made all the responses very loudly in Latin while the rest of the congregation answered in English. I found the whole experience quite excruciating, but my grandfather was oblivious. He simply had to do what he believed to be right.”

— Simon Tolkien (2003)

Recent Posts

  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President
  • PDF Download • “Offertory” for this Sunday

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