Musical Setting • “Confíteor Déo Omnipoténti”
The participants went nuts over this musical setting. They just couldn’t get enough of it!
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
The participants went nuts over this musical setting. They just couldn’t get enough of it!
Today I discuss a myth about accompanying plainsong on the pipe organ.
Feedback from the Gregorian Chant workshop in Chicago.
Readers might get some ‘programming ideas’ from the list of pieces we sang.
Javier R. wrote to us: “One thing that caught my eye—and which I’ve been wrestling with—is how to fit Hymns with Antiphons, especially during the entrance procession.”
I’ve been creating these for our Spanish Masses. They aren’t perfect—but I’ve also seen worse.
The NAB tried to use “overly casual” language—and the results are often an abomination.
The various options given here by the official 1970 Missal can be used during the week (or on any Sunday).
The Solfège has already been added, and we made magnificent rehearsal videos for you!
“Please pray for me and the choir. May Our Lady be better known and loved.” —Corrinne May
“If Bach wanted to learn from the master, he had to go a long way to do it, so he made the sacrifice to do it.” —Kevin Allen
Including Dom Gregory Murray, Flor Peeters, Jacques Lemmens, John Lee, C. H. Rinck, Dom Alphege Shebbeare, Oreste Ravanello, Louis Niedermeyer, Eugène Gigout, Luigi Bottazzo, Johann Sebastian Bach, and many others.
“I would have liked you to be lying under the covers during a storm, silent so you could hear the sound of the rainfall.” —Andrea Roncato
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