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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · February 22, 2016

PDF Download • “Latin in the New Liturgy” (1976)

“The use of Latin in celebrating the new Mass Rite will be encouraged as it has been in the old; Latin expresses the nature of the Church as international and timeless.”

Veronica Brandt · February 20, 2016

Recordings for A New Book of Old Hymns

A little book of Gregorian chant hymns for the every occasion, with a collection of recordings for those unfamiliar with chant notation. Now more than a decade since the first edition and still going strong.

Jeff Ostrowski · February 20, 2016

Funeral Mass • Justice Antonin Scalia

You can download the program or view the full Mass online.

Jeff Ostrowski · February 20, 2016

A Roman Catholic Cleric’s Noble Robes

The Archbishop of Kraków was (for a short time) Senator of the Second Polish Republic.

Richard J. Clark · February 19, 2016

122 Messengers of Peace • Dona Nobis Pacem

It’s never just about the music.

Jeff Ostrowski · February 18, 2016

PDF • Two Nice Versions of “Attende Domine”

A good piece for Lent.

Andrew Leung · February 18, 2016

Are you Praying the Mass?

An old and holy priest talks about prayer and the liturgy.

Jeff Ostrowski · February 16, 2016

Something That Would Fix So Much … But Nobody Mentions It

Is this “tacit” approval really “imaginary” approval?

Dr. Lucas Tappan · February 16, 2016

Dorothy Sayers and the Lost Tools of Learning

We will never inspire a new generation of great Catholic musicians, so sorely needed at this time, if we don’t open their eyes to the “Lost Tools of Learning Music” and point them to the One to Whose praises we hope to sing for ever in the Heavenly Jerusalem.

Jeff Ostrowski · February 15, 2016

“Credo for Two Voices” • Gustaaf Nees (d. 1965)

This simple setting of Gregorian Credo IV uses organ, men’s voices, and women’s voices.

Jeff Ostrowski · February 14, 2016

Musical Resources • 1st Sunday of Lent (EF)

“We solemnly offer the sacrifice at the beginning of Lent, O Lord…”

Jeff Ostrowski · February 14, 2016

Canon Van Nuffel’s Setting Of Smoke Rising

“Smoke rises from the Mountain of Doom. The hour grows late, and Gandalf the Grey rides to Isengard seeking my counsel.”

Fr. David Friel · February 14, 2016

Repetition in the Roman Missal

A Literary Approach in an Adoremus Bulletin Article

Veronica Brandt · February 13, 2016

Save the Merit, Save the World

Lenten discipline : St Philip Neri says “to love to be unknown”; Gandalf says “Keep it secret, keep it safe.”

Richard J. Clark · February 12, 2016

Minimal Standards at Weddings and Funerals

It is easier to capitulate than to educate.

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“If he converses with the learned and judicious, he delights in their talent—if with the ignorant and foolish, he enjoys their stupidity. He is not even offended by professional jesters. With a wonderful dexterity he accommodates himself to every disposition. As a rule, in talking with women (even with his own wife) he is full of jokes and banter.”

— ‘Erasmus on St. Thomas More (England’s 1st lay Chancellor)’

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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