Views from the Choir Loft

Articles

Jeff Ostrowski · October 17, 2015

Yikes! Even The Monastery Of Solesmes

Did you notice how they carefully deleted all the beautiful artwork?

Jeff Ostrowski · October 16, 2015

Watershed Needs Your Help To Continue!

“Watershed has been extremely helpful and has brought so much solace and support…”

Jeff Ostrowski · October 15, 2015

What? Sundays after Pentecost?

Be careful this year.

Andrew Leung · October 15, 2015

My New Assignment—Part 2

An update on my new assignment.

Dr. Alfred Calabrese · October 15, 2015

The Church Must Be Countercultural

What music is appropriate for a wedding?

Jeff Ostrowski · October 14, 2015

When Choirmasters Despair

No matter how superb your music program is…

Fr. David Friel · October 13, 2015

Discussion of “Inclusivity” & “Diversity” at the Synod

Remarks from Archbishop Chaput

Dr. Lucas Tappan · October 13, 2015

Taka… What?

Kids love this!

Christopher Mueller · October 12, 2015

Rediscovering “Musicam Sacram”

I encountered anew this wonderfully clear and concise document about music in the liturgy.

Guest Author · October 12, 2015

“Saving” Gregorian Chant In The Ordinary Form

Daniel Craig’s review with a “signs of the times” digression.

Fr. David Friel · October 11, 2015

World Meeting of Families 2015 & the Papal Visit to Philadelphia — Part 1 of 2

A Behind-the-Scenes Look

Jeff Ostrowski · October 11, 2015

Kyrie XI • Gregorian Chant

I’ve wrongly neglected this famous chant.

Jeff Ostrowski · October 10, 2015

The Week In Review

Seven random thoughts…

Veronica Brandt · October 10, 2015

New CD by the Sistine Chapel Choir

Watch for more about the first ever commercial recording from the Sistine Chapel.

Corpus Christi Watershed · October 10, 2015

VIDEO • Fr. Kevin Vogel On Gregorian Chant

This video will interest lovers of sacred music.

“Reminder” — Month of May (2025)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

“Music List” • 3rd Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 3rd Sunday of Easter (4 May 2025). If such a thing interests you, feel free to download it as a PDF file.

—Jeff Ostrowski

Communion (3rd Sunday of Easter)

You can download the COMMUNION ANTIPHON (PDF score) for the 3rd Sunday of Easter (Year C). The piece is sung by either all men or all women. Those on the top rehearse with the Top Video. Those assigned to the middle use the Middle Video. Those who sing the bottom line use the Bottom Video. (Needless to say, the Latin version can also be sung.) A rather undesirable thing which took place after Vatican II—although not everywhere—was a “de-emphasis” or “neglect” of the Bible. In the pre-conciliar liturgy, the propers were proclaimed at every Mass, but these days many Catholics are clueless about the propers! Approximately 97% of the propers come directly from Sacred Scripture, as the COMMUNION ANTIPHON above demonstrates. You can hear a rehearsal video by clicking here.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker