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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

| Part 3 of 3 | • “Kyrie Eleison” (SATB) within the reach of any choir!

Jeff Ostrowski · January 19, 2016

HEN I TOLD the choir in Los Angeles we’d be learning a sensational Mass by Guerrero, I promised that each successive movement would astound them. They loved the first section of the KYRIE. Today’s release (as I promised) is even more powerful. In such a brief piece, Guerrero employs numerous points of imitation.

Guerrero even uses STRETTO, which I colored purple. Do you see the purple notes? Do you hear the stretto?

    * *  PDF Download • KYRIE “Part C” (Guerrero)


REHEARSAL VIDEOS :

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

839 pledge PEAKING OF THE FSSP CHOIR in Los Angeles, our parish has existed for about a year now. We are trying to build a Church completely dedicated to the Extraordinary Form: EF Masses, EF Confirmations, EF Baptisms, EF Weddings, and so on. Archbishop Gomez invited us, and fully supports our efforts. If we can raise $65,000 by February 11th, a generous donor will give an additional $65,000. Do you know someone who can help? 1

To donate, click here. You’ll probably want to select “one time donation”—but other options are available, as well.

838 Pledge



NOTES FROM THIS ARTICLE:

1   We have already raised a significant amount, but require more—churches are expensive!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Francisco Guerrero Composer, Missa Beata Mater, Piecemeal Polyphony Last Updated: February 26, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski
14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski

Random Quote

“The unity of language in the liturgy is so great a treasure for the Church that no advantage could compensate for its demise.”

— Dom Anselmo Albareda (2 January 1953), Father Nicola Giampietro, page 249

Recent Posts

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  • 19 May 2022 • “Trochee Trouble”
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  • PDF Download • “O Salutaris” (Modern Setting)

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