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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 16, 2016

Musical Resources • 9th Sunday after Pentecost

“…and that Thou mayest grant their desires to them, make them ask only for things that please Thee…”

Richard J. Clark · July 15, 2016

The Illusion of Privacy • Social Media Etiquette for Liturgical Musicians

A very wise and compassionate Jesuit priest kindly exhorted me to avoid writing such missives. I quickly heeded his advice. So should you. Here’s why:

Richard J. Clark · July 15, 2016

Letter from USCCB Committee on Divine Worship on “Ad Orientem”

Most Rev’d Serratelli says the current rubrics “reflect the real possibility that the celebrant might be facing away from the assembly.”

Corpus Christi Watershed · July 15, 2016

Photograph • Robert Cardinal Sarah “Ad Orientem”

“Dear Fathers, we should listen to the lament of God proclaimed by the prophet Jeremiah: «They have turned their back to me» (2:27). Let us turn again towards the Lord!”

Andrew Leung · July 14, 2016

Three False Ideas about “Ad Orientem” Celebration

Three common misconceptions about the Mass and “ad orientem” worship.

Jeff Ostrowski · July 13, 2016

Shocking Developments From Westminster

If Cardinal Nichols had simply sent a letter saying why he prefers “versus populum,” I believe that would have been a better choice.

Jeff Ostrowski · July 13, 2016

SATB “Agnus Dei” after Fr. Gregorio Allegri (d. 1652)

Without question, the most popular piece I ever “wrote.”

Jeff Ostrowski · July 12, 2016

Did Fr. Lombardi Contradict Cardinal Sarah?

Perhaps a better phrase would be Bishop Gracida’s version: “Renewal of the Renewal.”

Corpus Christi Watershed · July 11, 2016

The Vatican Has Already Responded To Cardinal Nichols Regarding “Ad Orientem”

“No preference is expressed in the liturgical legislation for either position.”

Jeff Ostrowski · July 9, 2016

“Quam Singulari” • Decree on First Communion (1910)

Pope St. Pius X wanted this decree to be read each year from the pulpit by all Catholic priests.

Richard J. Clark · July 8, 2016

Those Pesky Letters of Complaint

As surely as the sun rises in the East and sets in the West, someone will be unhappy. Displeasure does not discriminate.

Corpus Christi Watershed · July 7, 2016

Cardinal Sarah “Reform of the Reform” (5 July 2016) • Full Address in French & English

Breathtaking statements from the Vatican’s chief liturgist who—while on retreat—goes 72 hours without food or water.

Fr. David Friel · July 6, 2016

Pope Francis to Cardinal Sarah: Investigate an Official Reform of the Reform

Highlights from Cardinal Sarah’s Lecture at Sacra Liturgia UK 2016

Jeff Ostrowski · July 6, 2016

Sensational Hymn for St. Joseph … with Modern Polyphony!

We’ll be singing this piece a lot because our priest has a special devotion to St. Joseph.

Dr. Lucas Tappan · July 5, 2016

Sing the Mass

Whether your particular parishes are rich or poor, big or small, love sacred music or hate it, there is one thing that I challenge all of you to do, and that is to sing the Mass.

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Corpus Christi Watershed

President’s Corner

    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski
    Beginning a Men’s Schola
    I mentioned that we recently began a men’s Schola Cantorum. Last Sunday, they sang the COMMUNION ANTIPHON for the 3rd Sunday of Easter, Year C. If you’re so inclined, feel free to listen to this live recording of them. I feel like we have a great start, and we’ll get better and better as time goes on. The musical score for that COMMUNION ANTIPHON can be downloaded (completely free of charge) from the feasts website.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

Recent Posts

  • Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”
  • “Entrance Chant” • 4th Sunday of Easter
  • Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?
  • Music List • “Repertoire for Weddings”
  • We (Will) Have A Pope!

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