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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Dr. Lucas Tappan · June 13, 2017

Forming the Next Generation of Church Musicians

Until we start forming our youth in the Church’s treasury of sacred music we will continue contracepting our musical future to death.

Fr. David Friel · June 12, 2017

Liturgical Reflections of a Papal Master of Ceremonies

Essays from Msgr. Guido Marini

Jeff Ostrowski · June 12, 2017

First Solemn Mass • Fr. Joseph Favole, FSSP

Capstone to the upcoming Sacred Music Symposium!

Jeff Ostrowski · June 11, 2017

Benedictus has been posted!

Extremely short blog post…

Richard J. Clark · June 9, 2017

I forgot to tell them it’s supposed to be hard.

It never occurred to him that this would be hard, or that he wouldn’t do well. He just thought it would be fun.

Richard J. Clark · June 8, 2017

Introit • Solemnity of the Most Holy Trinity • Free Download

Free download of an Introit for Holy Trinity (Years A&B). English text; SATB, organ, schola/cantor, and congregation.

Andrew Leung · June 8, 2017

Live Recording from Macau Cathedral

A Live recording of early Renaissance music from the Far East!

Dr. Lucas Tappan · June 6, 2017

Scientia Linguæ Latinæ Voluptatem Et Gaudium Affert!

Unfortunately my avocation of church musician doesn’t allow me to sidestep the Latin vs. vernacular issue any more than a house painter is able to avoid paint.

Corpus Christi Watershed · June 6, 2017

Altar Servers’ Camp • Priestly Fraternity of Saint Peter

In Los Angeles! Learn Solemn Vespers, Low Mass, Pontifical Mass, and more!

Fr. David Friel · June 4, 2017

Thoughts on Benedict

St. Benedict, Pope Emeritus Benedict XVI, and “Ars Celebrandi”

Jeff Ostrowski · June 3, 2017

Musical Resources • Pentecost Sunday 1

“Light most blessèd, shine on the hearts of Your faithful—even into their darkest corners…”

Richard J. Clark · June 2, 2017

Entertainment in the Liturgy and Our True Responsibility

In the words of Kurt Cobain, “Here we are now, entertain us.” Sometimes, our jobs can feel this way. But church musicians have responsibilities that are anything but entertainment.

Jeff Ostrowski · May 30, 2017

Psalm Tones Beyond A Doubt

You will want to download this PDF.

Fr. David Friel · May 28, 2017

The Sequences as Popular Works of Liturgical Creativity

A new article on the Sequences of the Roman Rite in the “Adoremus Bulletin”

Richard J. Clark · May 26, 2017

Pastorally Imperative: They are all we have.

To sing in prayer and with joy is pastorally imperative for they are all we have.

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— Pope Benedict XVI, Letter accompanying “Summorum Pontificum” (7/7/07)

Recent Posts

  • PDF Download • “Entrance Chant” for Holy Thursday (Plainsong in English)
  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship

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