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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Fr. David Friel · June 29, 2017

Strong with God’s Strength 1

Celebrating Saints Peter & Paul

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Andrew Leung · June 29, 2017

Summer Sacred Music Workshop 2017

Southeastern Sacred Music (CMAA) presents: Summer Sacred Music Workshop 2017

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Jeff Ostrowski · June 28, 2017

Triumph Beyond Belief … Beyond Imagination

I have been reminded why I got into music in the first place.

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Fr. David Friel · June 25, 2017

Composition with Pencil & Paper or Computer Software?

A lunch-time conversation at Sacred Music Colloquium 2017 in St. Paul, MN

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Richard J. Clark · June 24, 2017

“Do not let anyone make you feel discouraged.”

Made in God’s image? Really? That’s debatable from my all too human eyes. By the way, I’ve got huge planks in both of them.

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Jeff Ostrowski · June 21, 2017

Holy Week Bulletin from 1943

Notice when the ceremonies begin!

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Jeff Ostrowski · June 19, 2017

Jaw-Dropping Kyrie (SATB) by Guerrero

I recorded all the voice parts, to demonstrate how it sounds…

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Fr. David Friel · June 18, 2017

Silence in the Liturgy

Thoughts from Pope Benedict XVI, Msgr. Guido Marini, and the GIRM

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Guest Author · June 14, 2017

Wearing the Veil at Ordinary Form Masses?

A guest article by Danielle Duet.

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Jeff Ostrowski · June 13, 2017

Nothing More Corny Than This

Arturo Benedetti Michelangeli plays Bach’s Toccata and Fugue in d minor…

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Dr. Lucas Tappan · June 13, 2017

Forming the Next Generation of Church Musicians

Until we start forming our youth in the Church’s treasury of sacred music we will continue contracepting our musical future to death.

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Fr. David Friel · June 12, 2017

Liturgical Reflections of a Papal Master of Ceremonies

Essays from Msgr. Guido Marini

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Jeff Ostrowski · June 12, 2017

First Solemn Mass • Fr. Joseph Favole, FSSP

Capstone to the upcoming Sacred Music Symposium!

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Jeff Ostrowski · June 11, 2017

Benedictus has been posted!

Extremely short blog post…

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Richard J. Clark · June 9, 2017

I forgot to tell them it’s supposed to be hard.

It never occurred to him that this would be hard, or that he wouldn’t do well. He just thought it would be fun.

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Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”

    There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”

    The following declaration will probably smack of “blowing my own horn.”

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Impelled by the weightiest of reasons, we are fully determined to restore Latin to its position of honor, and to do all We can to promote its study and use. The employment of Latin has recently been contested in many quarters, and many are asking what the mind of the Apostolic See is in this matter. We have therefore decided to issue the timely directives contained in this document, so as to ensure that the ancient and uninterrupted use of Latin be maintained and, where necessary, restored.”

— Pope John XXIII (22 February 1962)

Recent Posts

  • “Comparison Chart” • 1940 Episcopal Hymnal
  • 21 Organ Accompaniments • Pentecost Sequence (“Veni Sancte Spíritus”) in Latin and English
  • “A Noble Sound” • Calling Men Back to Sacred Music
  • The Entrance Chant • “Further Discussion”
  • PDF Download • Accompaniment Edition (183 pages) — “Jesuit Hymnal” (Buffalo, New York)

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