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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Summer Sacred Music Workshop 2017

Andrew Leung · June 29, 2017

CTL Summer Sacred Music Workshop 2017 ET EXCITED!!! The third annual Southeastern Summer Sacred Music Workshop is coming up! This year, the 2-day workshop will make its return to the Atlanta area. This is a great opportunity for singers, organists and clergy from the Southeastern United States to experience the traditional music of the Catholic Church.

The Workshop 2017 will be hosted by St. Brigid Catholic Church in beautiful Johns Creek, Georgia, on Friday, July 21, and Saturday, July 22. Johns Creek is a northeastern suburb of Atlanta and it ranked third on the USA TODAY list of “50 best cities to live in”. St. Brigid Parish is the spiritual home of more than 4,000 families and it is also the home of the 37-rank Casavant Frères Opus 3832 organ.

The Southeastern Sacred Music is a chapter of the Church Music Association of America. It serves as a platform for church musicians in the Southeastern region to share resources, thoughts and ideas, and to make connections with each other. The group has also been organizing annual workshops since 2015. Bridget Scott, a founding member of Southeastern Sacred Music, says that she is very excited for the upcoming workshop: “We have folks coming back year after year. I was excited to see names on the registry that also attended the very first workshop.”

As usual, there will be chant groups and polyphony ensembles, in different levels, which the participants may choose to join. There will also be breakout courses on a variety of topics of interest. One of the very special courses this year is the session on Spanish chant offered by Janet Gorbitz. Another interesting session is a presentation on organ improvisation on chant melodies given by Dr. Albert Ahlstrom, who is joining the faculty for the first time. Organists will also have the opportunity to have private lesson with Dr. Ahlstrom, and singers may study with Maria McDaniel Willathgamuwa.

The registration is now opened through July 7. There is a $75 tuition fee which covers the costs of all the materials, dinner on Friday and the luncheon on Saturday. There is a $25 late fee for registrations after July 7. Visit Southeastern Sacred Music’s website to register and for more details and full bios of the faculty members.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— Pope Benedict XVI, Letter accompanying “Summorum Pontificum” (7/7/07)

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