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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Veronica Brandt · March 11, 2017

A CD from on High for Benedictines in Tasmania

A new CD you don’t have yet full of beautiful music raising funds for bringing more beautiful music to Tasmania.

Jeff Ostrowski · March 10, 2017

GoFundMe Campaign • Needing Scholarships!

Sacred Music: “Curse the darkness…or light a candle?”

Richard J. Clark · March 10, 2017

Pope Francis, Sacred Music, and the Biggest Stage

Such musical exhortations are not new, but the tone and visibility are.

Jeff Ostrowski · March 10, 2017

Musical Resources • 2nd Sunday of Lent 1

“O God, Who seest how we are destitute of all strength…”

Fr. David Friel · March 8, 2017

Revisiting Musicam Sacram

Fifty Years Later – Strengths, Weaknesses, and Progressive Solemnity

Jeff Ostrowski · March 7, 2017

Vatican II • What You Were Too Embarrassed To Ask

Fr. Christopher Smith has created a 7-part series on Vatican II.

Dr. Lucas Tappan · March 7, 2017

Let Everything That Hath Breath Praise the Lord!

Point us once again to God Who is Beauty Itself!

Jeff Ostrowski · March 6, 2017

PDF Download • “Antiphonale Romanum” (1949)

Yesterday, I used the text on page 366 to create an SATB Hymn for Lent.

Fr. David Friel · March 5, 2017

Is There Music in Heaven?

The Sights and Sounds of St. John’s Apocalypse

Veronica Brandt · March 4, 2017

O Crux Ave, partial recording

A stepping stone towards singing this motet with a small choir – a recording for the middle voice of Fr Friel’s 3 part motet.

Richard J. Clark · March 4, 2017

Pope Francis on musical quality: “mediocrity, superficiality, and banality”

“Sometimes a certain mediocrity, superficiality and banality have prevailed, to the detriment of the beauty and intensity of liturgical celebrations.”

Jeff Ostrowski · March 4, 2017

Did You Forget This Fabulous Lenten Hymn?

The psalm verses are optional—making this piece as long or short as you desire.

Jeff Ostrowski · March 3, 2017

Choirmasters, Your Job Is Hard Beyond A Doubt

What does sacred music have to do with the O. J. Simpson murder trial?

Guest Author · February 28, 2017

EF Divine Office Resource • Daily Recordings of Lauds

“At the crowing of the cock, hope returns…”

Jeff Ostrowski · February 28, 2017

Giacomo Cardinal Lercaro (1891-1976)

“There remains throughout the presence of Bugnini—his bias, his anger, and his prejudice—making one continuously ask the unanswerable question: why?” ~ Msgr. Richard J. Schuler

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Corpus Christi Watershed

President’s Corner

    17th Sunday in Ordinary Time (Year C)
    All of the chants for 27 July 2025, which is the 17th Sunday in Ordinary Time (Year C), have been added to the feasts website, as usual under a convenient “drop down.” The COMMUNION ANTIPHON—both text and melody—are particularly beautiful and exceedingly ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski
    Errors in Latin: “17th Sund. Ordinary”
    The COMMUNION for the 17th Sunday in Ordinary Time (Year C) contains several typos in the Jogues Illuminated Missal with regard to the Latin text. That particular COMMUNION ANTIPHON is extremely ancient, and the English Adaptation is utterly gorgeous. For the record, it’s normal for books to contain typos; even books by Father Fortescue and Monsignor Knox have errors. Books by Solesmes Abbey—surely among the finest ever produced—contain many printing errors. Click here to see a few examples of typos.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

  • 17th Sunday in Ordinary Time (Year C)
  • Jeff’s Mother Joins Our Fundraiser
  • Errors in Latin: “17th Sund. Ordinary”
  • “Tell Me Lies; Tell Me Sweet Little Lies.” • Re: Post-Conciliar Lectionary Problems
  • PDF Download • “Catholic Texts Transcend”

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